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The first feminist analysis of some of the most performed works in the American-opera canon, emphasizing the voices and perspectives of the sopranos who brought these operas to life.

Produktbeschreibung
The first feminist analysis of some of the most performed works in the American-opera canon, emphasizing the voices and perspectives of the sopranos who brought these operas to life.
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Autorenporträt
MONICA A. HERSHBERGER is Assistant Professor of Music at SUNY Geneseo.