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"The nineteenth-century novel is generally assumed to be concerned with private lives and social relations. But Russian fiction, obsessively focused on scenarios of state power, was an exception to the rule. In Sovereign Fictions, Ilya Kliger shows that this encounter between realist fiction and political authority gave Russian novels a form unlike their counterparts in the west. Kliger explores Russian realism's distinctive construals of sociality through a broad range of texts from the 1830s to the 1870s, including works by Dostoevsky, Gogol, and Pushkin, and several lesser-known but…mehr

Produktbeschreibung
"The nineteenth-century novel is generally assumed to be concerned with private lives and social relations. But Russian fiction, obsessively focused on scenarios of state power, was an exception to the rule. In Sovereign Fictions, Ilya Kliger shows that this encounter between realist fiction and political authority gave Russian novels a form unlike their counterparts in the west. Kliger explores Russian realism's distinctive construals of sociality through a broad range of texts from the 1830s to the 1870s, including works by Dostoevsky, Gogol, and Pushkin, and several lesser-known but influential books of the period, including Mikhail Lermontov's A Hero of Our Time (1840), Ivan Goncharov's The Same Old Story (1847), Ivan Turgenev's Rudin (1856), Aleksei Pisemsky's One Thousand Souls (1858), and Vasily Sleptsov's Hard Times (1865). Kliger's book offers an important intervention in socially inflected theories of the novel and in current thinking on representations of power and historical poetics"--
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Autorenporträt
Ilya Kliger is associate professor of Russian and Slavic studies at New York University, where he is also director of undergraduate studies in the Department of Russian and Slavic Studies. Kliger is the author of The Narrative Shape of Truth: Veridiction in Modern European Literature and the coeditor of Persistent Forms: Practicing Historical Poetics.