"An Atonal Cinema theorises contemporary Palestinian cinema, utilizing contrapuntal dialogue as a mode of resistance with which to decentre and respond to texts from Europe, South America and Israel which have co-opted its images"--
"An Atonal Cinema theorises contemporary Palestinian cinema, utilizing contrapuntal dialogue as a mode of resistance with which to decentre and respond to texts from Europe, South America and Israel which have co-opted its images"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Robert G. White is an independent scholar based in the UK. His research explores the intersection of film, critical theory and geopolitics. He is the co-editor of Spaces of Crisis and Critique: Heterotopias Beyond Foucault (Bloomsbury, 2018). His research has also been published in Film Criticism, RCL and the Journal of Italian Cinema and Media Studies.
Inhaltsangabe
Acknowledgements Introduction Chapter 1: Between Here and Elsewhere: Godard, Genet and the resistance of image in contemporary Palestinian Cinema Chapter 2: Between Presence and Absence: Remnants and revenants in the Cinema of the Interior Chapter 3: Between Diaspora and Exile: Palestine, Chile and the cinema of Miguel Littín Chapter 4: Between Basilicata and Bethlehem: Pasolini, Palestine and the non-European Chapter 5: Towards a post-Palestinian Cinema: Imagining states of being beyond the status quo Endnotes Bibliography Index
Acknowledgements Introduction Chapter 1: Between Here and Elsewhere: Godard, Genet and the resistance of image in contemporary Palestinian Cinema Chapter 2: Between Presence and Absence: Remnants and revenants in the Cinema of the Interior Chapter 3: Between Diaspora and Exile: Palestine, Chile and the cinema of Miguel Littín Chapter 4: Between Basilicata and Bethlehem: Pasolini, Palestine and the non-European Chapter 5: Towards a post-Palestinian Cinema: Imagining states of being beyond the status quo Endnotes Bibliography Index
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