This book looks closely at both Beethoven and the Grosse Fuge, placing both in their historical and social contexts. It considers interesting questions about whether absolute music-music without words-can have meaning and speculates that some works of Western music can evoke synesthesia in listeners-a sense of motion through three-dimensional volumes of space. The author also speculates that Beethoven's long creative dry spell in his late 40s was caused by an extended bout with clinical depression.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.