This book explores how, and why, the blues became a central component of English popular music in the 1960s. It is commonly known that many 'British invasion' rock bands were heavily influenced by Chicago and Delta blues styles. But how, exactly, did Britain get the blues? Roberta Schwartz analyses the transmission of blues records to England, from the first recordings to hit English shores to the end of the sixties.
This book explores how, and why, the blues became a central component of English popular music in the 1960s. It is commonly known that many 'British invasion' rock bands were heavily influenced by Chicago and Delta blues styles. But how, exactly, did Britain get the blues? Roberta Schwartz analyses the transmission of blues records to England, from the first recordings to hit English shores to the end of the sixties.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Roberta Freund Schwartz is Associate Professor of Historical Musicology, and advising director of the University's Archive of Recorded Sound, University of Kansas, USA. She specializes in Spanish music, the music of the Renaissance, patronage, and African American influenced popular music.
Inhaltsangabe
Chapter 1 Jazz Reception in Britain Chapter 2 The First Time I Met the Blues Chapter 3 1953-1957: The Problem of the New Chapter 4 1957-1962: The Blues Revival, Part I Chapter 5 "London: The New Chicago!" Chapter 6 Blues at the Crossroads
Chapter 1 Jazz Reception in Britain Chapter 2 The First Time I Met the Blues Chapter 3 1953-1957: The Problem of the New Chapter 4 1957-1962: The Blues Revival, Part I Chapter 5 "London: The New Chicago!" Chapter 6 Blues at the Crossroads
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