Mapping Medieval Identities in Occitanian Crusade Song focuses on two twelfth-century musical-poetic practices of southern France - the sacred Aquitanian versus and the vernacular troubadour lyric - and newly interprets them within their shared context of the early Crusades.
Mapping Medieval Identities in Occitanian Crusade Song focuses on two twelfth-century musical-poetic practices of southern France - the sacred Aquitanian versus and the vernacular troubadour lyric - and newly interprets them within their shared context of the early Crusades.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Rachel May Golden is Associate Professor of Musicology in the School of Music at the University of Tennessee, where she heads the Musicology area. Her work has appeared in The Journal of Musicology, Music & Letters, Musical Quarterly, and Opera Quarterly, among other publications. She has been an American Council of Learned of Societies Fellow and an NEH Summer Scholar.
Inhaltsangabe
List of Figures List of Musical Examples List of Tables Introduction: "And so I cannot prophesy" Chapter 1: Identity, Space, And Song in Crusading Occitania Construing Local and Global Contexts Space and Place Crusade Songs in Scholarship Motz e So The South and Its Songs Song Genres, Themes and Contexts Sounding Objects in the Distance Chapter 2: Occitania, Court, and Cloister France, Spain and Kingdom St. Martial, Monastery and Movement Versus, Expression, and Resistance Beyond Cloister, Beyond Court An Occitanian Homeland Conclusion Chapter 3: Place, Frankishness, and Regionality Pope Urban's Message Crusade Chronicles Recruitment and Regional Implications Local Heroism in Chant et deport Urban's Synthesis: Love, War, and Vow Indulgence and Penance Embodiment, Violence, and Affirmations of the Tongue God's Wonders, Visions, and the Holy Lance Selfhood, Identity, and Frankishness Chapter 4: Situating the Holy Land: Juxtapositions and Circular Paths Circular Paths Pilgrimage and Devotions Self and Enemy The Allure of Distant Lands Motion, Cross, and Territory in Ara pot hom connoisseur Real and Imagined Journeys Chapter 5: Near and Distant Lands in First Crusade Songs Desiring Distant Lands: Ierusalem mirabilis Pointing Toward Jerusalem Distance, Wonder, and Variation Nomen a solemnibus: Reclaiming Jerusalem Jerusalem, Near and Far Chapter 6: Locality, Distance, and Troubadour Song in the Second Crusade The Second Crusade and Reconquista Marcabru's Moralizing and Invective Marcabru Makes War Jaufre's Distant Desire Singing Across the Sea Chapter 7: Conclusions: Singing Crusade Journeys Re-Creation, Recycling, and Contrafacture Sounding Journeys and Songs in Motion Appendix Bibliography Index
List of Figures List of Musical Examples List of Tables Introduction: "And so I cannot prophesy" Chapter 1: Identity, Space, And Song in Crusading Occitania Construing Local and Global Contexts Space and Place Crusade Songs in Scholarship Motz e So The South and Its Songs Song Genres, Themes and Contexts Sounding Objects in the Distance Chapter 2: Occitania, Court, and Cloister France, Spain and Kingdom St. Martial, Monastery and Movement Versus, Expression, and Resistance Beyond Cloister, Beyond Court An Occitanian Homeland Conclusion Chapter 3: Place, Frankishness, and Regionality Pope Urban's Message Crusade Chronicles Recruitment and Regional Implications Local Heroism in Chant et deport Urban's Synthesis: Love, War, and Vow Indulgence and Penance Embodiment, Violence, and Affirmations of the Tongue God's Wonders, Visions, and the Holy Lance Selfhood, Identity, and Frankishness Chapter 4: Situating the Holy Land: Juxtapositions and Circular Paths Circular Paths Pilgrimage and Devotions Self and Enemy The Allure of Distant Lands Motion, Cross, and Territory in Ara pot hom connoisseur Real and Imagined Journeys Chapter 5: Near and Distant Lands in First Crusade Songs Desiring Distant Lands: Ierusalem mirabilis Pointing Toward Jerusalem Distance, Wonder, and Variation Nomen a solemnibus: Reclaiming Jerusalem Jerusalem, Near and Far Chapter 6: Locality, Distance, and Troubadour Song in the Second Crusade The Second Crusade and Reconquista Marcabru's Moralizing and Invective Marcabru Makes War Jaufre's Distant Desire Singing Across the Sea Chapter 7: Conclusions: Singing Crusade Journeys Re-Creation, Recycling, and Contrafacture Sounding Journeys and Songs in Motion Appendix Bibliography Index
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