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"This is a strikingly original work of film history that shows how the tropes of early film theory shared anthropology's fascination with the magical in the primitive, and further how this fascination continues to show up in the subsequent course of avant-garde cinema. The pleasure of reading Moore's study is in experiencing the unfolding of a subversive genealogy of traces that remakes commonplace understandings of the wonder of movies."--George Marcus, Rice University

Produktbeschreibung
"This is a strikingly original work of film history that shows how the tropes of early film theory shared anthropology's fascination with the magical in the primitive, and further how this fascination continues to show up in the subsequent course of avant-garde cinema. The pleasure of reading Moore's study is in experiencing the unfolding of a subversive genealogy of traces that remakes commonplace understandings of the wonder of movies."--George Marcus, Rice University
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Autorenporträt
Rachel O. Moore