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The aim of this research is to focus on the work of the stage - director and on his technical tools and on the conditions of his creative work. On the other hand, often think some new artists in the field of theatre and some audiences that the basic function of the stage - director does not exceed the reading of the text and the drawing of the movements. But the reality is otherwise. So the aim of this research is not to be a literary research, because it deals with the practical experiences in the stage - direction, that can not be separated any way from the basic of the theatrical work, like the theatrical scripts and the different artistic schools. Therefore this research will seek to give a clear idea about the nature of the theatrical work in general, and about the work of the stage - director in particular, as a key element in any theatrical Show. Moreover, that the birth of any new theatrical work passes through difficult phases, starting from the study of the historical stages of the play and analysing its content, and how to bring it back to life again, and what are the ways and methods which used by the stage - director till the ending.