The Conquest of Kanchi - Ray, Ramashankar
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The Conquest of Kanchi (1880) is the first play of Ramshankar Ray which was staged in 1881. It is based on the historic war between Gajapati Purushottam Dev, the illustrious king of the Surya dynasty of Odisha; and Saluva Narasimha Dev, the ruler of Kanchi. The play is foregrounded on the legend of romantic love between Gajapati King Purushottam Dev and Padmavati, the princess of Kanchi which led to the invasion of Kanchi and eventually their wedding. Ray has retained the legend of Lord Jagannath and Lord Balabhadra joining the battle, being entertained by the milkmaid Manika on the way to…mehr

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Produktbeschreibung
The Conquest of Kanchi (1880) is the first play of Ramshankar Ray which was staged in 1881. It is based on the historic war between Gajapati Purushottam Dev, the illustrious king of the Surya dynasty of Odisha; and Saluva Narasimha Dev, the ruler of Kanchi. The play is foregrounded on the legend of romantic love between Gajapati King Purushottam Dev and Padmavati, the princess of Kanchi which led to the invasion of Kanchi and eventually their wedding. Ray has retained the legend of Lord Jagannath and Lord Balabhadra joining the battle, being entertained by the milkmaid Manika on the way to Kanchi and the minister's ingenious efforts to unite the lovers in wedlock during Rath Yatra. Ray has adapted this glorious history of love and has added romance, heroism, conflict, excitement, war, suspense and surprise to transform it into an entertaining work of art. The play instantly won audiences' hearts with its popular nationalistic theme and attractive presentation.
Autorenporträt
Ramshankar Ray was a landmark in Oriya theatre. His first play Kanchi-Kaveri was staged in 1881. He chose as hero Gajapati Purushottam Dev, illustrious king of the Suryadynasty of Orissa, through whose historic war with the king of Kanchi, Saluva Narasimha Dev, Ray depicted Oriya patriotism. The play won the hearts of audiences instantly by its popular nationalistic theme and attractive presentation.Ramshankar Ray never looked back and by 1917 had written as many as fourteen historical, mythological, and social works, including traditional Yatra, Lila, and downright farce. He was the first author to present Shakespeare in Oriya. He adapted The Tempest as Batiabala in 1882 and tried his best to adopt a Shakespearean style. However, keeping in view the taste of spectators, he had to follow Indian classical and folk traditions too.Towards the end of the nineteenth century, under the influence of Western education, socially conscious Indian writers started dreaming of reform. Ray was no exception. In his social drama, he took on the role of a reformist. Kalikal in 1883 dealt with the harmful effects of alcoholism. Budhabara or "Old Groom" in 1892 dealt with problems created by older men marrying young girls. "Bisha modak" or 'Poisonous Tablet' in 1900 dealt with intoxication and loans while Yuga-dharma i.e. "Dharma of the Age" in 1902 dealt with the rigidity of Hinduism. Elsewhere, he wrote about women's education, development through industrialization, eradication of unemployment, and evils of the dowry system. He presented these issues in simple and lucid language, aided by ample but effective music. Even in his mythological plays, like Rama banabas or "Rama's Exile" in 1891, Kamsabaddha or "Kamsa's Killing" in 1896, Chaitanya Ma i.e. "Chaitanya's Lila" in 1906, and Ramabhishek i.e. "Rama's Coronation" in 1917 his scientific outlook aimed to change the philosophy of Oriyas. Ramshankar Ray died in 1931.