Jean-Paul Sartre, Revised Arlette Elkaim-Sartre
The Imaginary
A Phenomenological Psychology of the Imagination
Übersetzer: Webber, Jonathan
Jean-Paul Sartre, Revised Arlette Elkaim-Sartre
The Imaginary
A Phenomenological Psychology of the Imagination
Übersetzer: Webber, Jonathan
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Andere Kunden interessierten sich auch für
- Shaun GallagherThe Phenomenological Mind191,99 €
- Gilbert RyleThe Concept of Mind27,99 €
- Gail Weiss (ed.)Perspectives on Embodiment59,99 €
- Bernard BosanquetA History of Aesthetic52,99 €
- Bertrand RussellOur Knowledge of the External World42,99 €
- The New Yearbook for Phenomenology and Phenomenological Philosophy60,99 €
- Ilhan InanA Referential Theory of Truth and Falsity60,99 €
-
-
-
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 240
- Erscheinungstermin: 1. Januar 2003
- Englisch
- Abmessung: 216mm x 140mm x 18mm
- Gewicht: 318g
- ISBN-13: 9780415287555
- ISBN-10: 0415287553
- Artikelnr.: 22483879
- Verlag: Taylor & Francis
- Seitenzahl: 240
- Erscheinungstermin: 1. Januar 2003
- Englisch
- Abmessung: 216mm x 140mm x 18mm
- Gewicht: 318g
- ISBN-13: 9780415287555
- ISBN-10: 0415287553
- Artikelnr.: 22483879
Jonathan Webber is a Lecturer in Philosophy at the University of Sheffield and a Research Associate of the Forum for European Philosophy. His research interests center on the cross-fertilization of Anglophone and European philosophy of mind and metaphysics. He earned his PhD from University College London with a study of consciousness in Sartre's early works. ArletteElkaim-Sartre, the author's adopted daughter and literary executor, prepared this revised edition after Sartre's death.
Introduction Notes on the Translation Part One: The Certain The Intentional
Structure of the Image I. Description 1. The Method 2. First
Characteristic: The Image is a Consciousness 3. Second Characteristic: The
Phenomenon of Quasi-Observation 4. Third Characteristic: The Imaging
Consciousness Posits its Object as a Nothingness 5. Fourth Characteristic:
Spontaneity 6. Conclusion II. The Image Family 1. Image, Portrait,
Caricature 2. Sign and Portrait 3. From Sign to Image: Consciousness of
Imitations 4. From Sign to Image: Schematic Drawings 5. Faces in the Fire,
Spots on Walls, Rocks in Human Form 6. Hypnagogic Images, Scenes and
Persons Seen in Coffee Grounds, in a Crystal Ball 7. From Portrait to
Mental Image 8. Mental Image Part Two: The Probable Nature of the Analogon
in the Mental Image 1. Knowledge 2. Affectivity 3. Movements 4. The Role of
the Word in the Mental Image 5. The Mode of Appearance of a Thing in the
Mental Image Part Three: The Role of the Image in Psychic Life 1. The
Symbol 2. Symbolic Schemas and Illustrations of Thought 3. Image and
Thought 4. Image and Perception Part Four: The Imaginary Life 1. The Irreal
Object 2. Conduct in the Face of the Irreal 3. Pathology of the Imagination
4. The Dream Conclusion 1. Consciousness and Imagination 2. The Work of Art
Structure of the Image I. Description 1. The Method 2. First
Characteristic: The Image is a Consciousness 3. Second Characteristic: The
Phenomenon of Quasi-Observation 4. Third Characteristic: The Imaging
Consciousness Posits its Object as a Nothingness 5. Fourth Characteristic:
Spontaneity 6. Conclusion II. The Image Family 1. Image, Portrait,
Caricature 2. Sign and Portrait 3. From Sign to Image: Consciousness of
Imitations 4. From Sign to Image: Schematic Drawings 5. Faces in the Fire,
Spots on Walls, Rocks in Human Form 6. Hypnagogic Images, Scenes and
Persons Seen in Coffee Grounds, in a Crystal Ball 7. From Portrait to
Mental Image 8. Mental Image Part Two: The Probable Nature of the Analogon
in the Mental Image 1. Knowledge 2. Affectivity 3. Movements 4. The Role of
the Word in the Mental Image 5. The Mode of Appearance of a Thing in the
Mental Image Part Three: The Role of the Image in Psychic Life 1. The
Symbol 2. Symbolic Schemas and Illustrations of Thought 3. Image and
Thought 4. Image and Perception Part Four: The Imaginary Life 1. The Irreal
Object 2. Conduct in the Face of the Irreal 3. Pathology of the Imagination
4. The Dream Conclusion 1. Consciousness and Imagination 2. The Work of Art
Notes on the Translation Part One: The Certain The Intentional Structure of the Image I. Description 1. The Method 2. First Characteristic: The Image is a Consciousness 3. Second Characteristic: The Phenomenon of Quasi-Observation 4. Third Characteristic: The Imaging Consciousness Posits its Object as a Nothingness 5. Fourth Characteristic: Spontaneity 6. Conclusion II. The Image Family 1. Image, Portrait, Caricature 2. Sign and Portrait 3. From Sign to Image: Consciousness of Imitations 4. From Sign to Image: Schematic Drawings 5. Faces in the Fire, Spots on Walls, Rocks in Human Form 6. Hypnagogic Images, Scenes and Persons Seen in Coffee Grounds, in a Crystal Ball 7. From Portrait to Mental Image 8. Mental Image Part Two: The Probable Nature of the Analogon in the Mental Image 1. Knowledge 2. Affectivity 3. Movements 4. The Role of the Word in the Mental Image 5. The Mode of Appearance of a Thing in the Mental Image Part Three: The Role of the Image in Psychic Life 1. The Symbol 2. Symbolic Schemas and Illustrations of Thought 3. Image and Thought 4. Image and Perception Part Four: The Imaginary Life 1. The Irreal Object 2. Conduct in the Face of the Irreal 3. Pathology of the Imagination 4. The Dream Conclusion 1. Consciousness and Imagination
Introduction Notes on the Translation Part One: The Certain The Intentional
Structure of the Image I. Description 1. The Method 2. First
Characteristic: The Image is a Consciousness 3. Second Characteristic: The
Phenomenon of Quasi-Observation 4. Third Characteristic: The Imaging
Consciousness Posits its Object as a Nothingness 5. Fourth Characteristic:
Spontaneity 6. Conclusion II. The Image Family 1. Image, Portrait,
Caricature 2. Sign and Portrait 3. From Sign to Image: Consciousness of
Imitations 4. From Sign to Image: Schematic Drawings 5. Faces in the Fire,
Spots on Walls, Rocks in Human Form 6. Hypnagogic Images, Scenes and
Persons Seen in Coffee Grounds, in a Crystal Ball 7. From Portrait to
Mental Image 8. Mental Image Part Two: The Probable Nature of the Analogon
in the Mental Image 1. Knowledge 2. Affectivity 3. Movements 4. The Role of
the Word in the Mental Image 5. The Mode of Appearance of a Thing in the
Mental Image Part Three: The Role of the Image in Psychic Life 1. The
Symbol 2. Symbolic Schemas and Illustrations of Thought 3. Image and
Thought 4. Image and Perception Part Four: The Imaginary Life 1. The Irreal
Object 2. Conduct in the Face of the Irreal 3. Pathology of the Imagination
4. The Dream Conclusion 1. Consciousness and Imagination 2. The Work of Art
Structure of the Image I. Description 1. The Method 2. First
Characteristic: The Image is a Consciousness 3. Second Characteristic: The
Phenomenon of Quasi-Observation 4. Third Characteristic: The Imaging
Consciousness Posits its Object as a Nothingness 5. Fourth Characteristic:
Spontaneity 6. Conclusion II. The Image Family 1. Image, Portrait,
Caricature 2. Sign and Portrait 3. From Sign to Image: Consciousness of
Imitations 4. From Sign to Image: Schematic Drawings 5. Faces in the Fire,
Spots on Walls, Rocks in Human Form 6. Hypnagogic Images, Scenes and
Persons Seen in Coffee Grounds, in a Crystal Ball 7. From Portrait to
Mental Image 8. Mental Image Part Two: The Probable Nature of the Analogon
in the Mental Image 1. Knowledge 2. Affectivity 3. Movements 4. The Role of
the Word in the Mental Image 5. The Mode of Appearance of a Thing in the
Mental Image Part Three: The Role of the Image in Psychic Life 1. The
Symbol 2. Symbolic Schemas and Illustrations of Thought 3. Image and
Thought 4. Image and Perception Part Four: The Imaginary Life 1. The Irreal
Object 2. Conduct in the Face of the Irreal 3. Pathology of the Imagination
4. The Dream Conclusion 1. Consciousness and Imagination 2. The Work of Art
Notes on the Translation Part One: The Certain The Intentional Structure of the Image I. Description 1. The Method 2. First Characteristic: The Image is a Consciousness 3. Second Characteristic: The Phenomenon of Quasi-Observation 4. Third Characteristic: The Imaging Consciousness Posits its Object as a Nothingness 5. Fourth Characteristic: Spontaneity 6. Conclusion II. The Image Family 1. Image, Portrait, Caricature 2. Sign and Portrait 3. From Sign to Image: Consciousness of Imitations 4. From Sign to Image: Schematic Drawings 5. Faces in the Fire, Spots on Walls, Rocks in Human Form 6. Hypnagogic Images, Scenes and Persons Seen in Coffee Grounds, in a Crystal Ball 7. From Portrait to Mental Image 8. Mental Image Part Two: The Probable Nature of the Analogon in the Mental Image 1. Knowledge 2. Affectivity 3. Movements 4. The Role of the Word in the Mental Image 5. The Mode of Appearance of a Thing in the Mental Image Part Three: The Role of the Image in Psychic Life 1. The Symbol 2. Symbolic Schemas and Illustrations of Thought 3. Image and Thought 4. Image and Perception Part Four: The Imaginary Life 1. The Irreal Object 2. Conduct in the Face of the Irreal 3. Pathology of the Imagination 4. The Dream Conclusion 1. Consciousness and Imagination