Drawing on the philosophy of Merleau-Ponty, Levinas, Lyotard and Deleuze on the one hand and on media theory on the other, this title develops a phenomenology of aesthetic reflection, visuality and visual art, in order to rethink art's ethical and political relevance in digital-media culture.
Drawing on the philosophy of Merleau-Ponty, Levinas, Lyotard and Deleuze on the one hand and on media theory on the other, this title develops a phenomenology of aesthetic reflection, visuality and visual art, in order to rethink art's ethical and political relevance in digital-media culture.
Renée van de Vall Associate Professor, Faculty of Arts and Culture, University of Maastricht, The Netherlands.
Inhaltsangabe
Contents: Introduction Space without hiding places: Merleau-Ponty's discussion of linear perspective Touching the face: the ethical dimension of visuality between Levinas and a Rembrandt self-portrait Between battlefield and play: on art and aesthetics in visual culture Criticism from within: on reflection and aesthetic feeling The mediation of passibility: art and interactive spectatorship Bibliography Index.
Contents: Introduction Space without hiding places: Merleau-Ponty's discussion of linear perspective Touching the face: the ethical dimension of visuality between Levinas and a Rembrandt self-portrait Between battlefield and play: on art and aesthetics in visual culture Criticism from within: on reflection and aesthetic feeling The mediation of passibility: art and interactive spectatorship Bibliography Index.
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