NBC's Grimm is an understudied series full of compelling characters, including Monroe, the charmingly knowledgeable vegetarian who looks like a werewolf; Wu, the funny cop who beats his way to the truth; Adalind, the enjoyably vengeful, risk-taking witch; Trubel, the furious young loner accused of insanity; Kelly, a powerful older warrior-woman; Nick, a compassionate detective; Hank, Juliette, Rosalee and others. This book, which includes a chapter on each key figure, explores the fascinating world of characterization in television. The storyline, as well as the dialogue, acting, costumes,…mehr
NBC's Grimm is an understudied series full of compelling characters, including Monroe, the charmingly knowledgeable vegetarian who looks like a werewolf; Wu, the funny cop who beats his way to the truth; Adalind, the enjoyably vengeful, risk-taking witch; Trubel, the furious young loner accused of insanity; Kelly, a powerful older warrior-woman; Nick, a compassionate detective; Hank, Juliette, Rosalee and others. This book, which includes a chapter on each key figure, explores the fascinating world of characterization in television. The storyline, as well as the dialogue, acting, costumes, scenery, lighting and music, contribute to in-depth depictions that evolve over time. Grimm's figures confound our perceptions of race, age and gender. They demonstrate the ability of TV characters to build unforgettable, meaningful connections.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Rhonda V. Wilcox is professor emeritus at Gordon State College in Georgia. For ten years she was the editor of Studies in Popular Culture. She is cofounder and editor of Slayage and is the author of previous books on Buffy the Vampire Slayer and other series. She lives in Decatur, Georgia.
Inhaltsangabe
Table of Contents Acknowledgments Introduction: Characters Full of Secrets One. "The dark does have its bright side": Monroe and the Liminal Hero-Sidekick Tradition of Spock, Spike, and Illya Kuryakin Two. "I don't have a problem with it": Killing, Sex, and the African American Cop-Hank Three. "I'm in control": Sergeant Wu, Wit, and Sexual Ambiguity Four. "I never choose sides": Prince-Father-Captain Sean Renard and the Gothic Hero-Villain of Patriarchy Five. "You know, Nick-he's a sensitive Grimm": Nick Burkhardt, Emotional Engagement, and Male Melodrama Six. "Women become aware sooner than men": Marie Kessler, Kelly Burkhardt, and the Crones of Portland Seven. "Smoking that hat": The Shape of Power for Fred/Illyria in Angel and Juliette/Eve in Grimm Eight. "I've seen this before": Rosalee Calvert and Practical Magic Nine-"I just drank my mother": The Abjection of Adalind Schade Ten. "I really didn't expect to live this long": Trubel and the Combative Female Eleven. "You haven't named her yet?": Diana as Demon Child Conclusion: Character and Auteurism Appendix: Grimm Episode List Chapter Notes Works Cited Index
Table of Contents Acknowledgments Introduction: Characters Full of Secrets One. "The dark does have its bright side": Monroe and the Liminal Hero-Sidekick Tradition of Spock, Spike, and Illya Kuryakin Two. "I don't have a problem with it": Killing, Sex, and the African American Cop-Hank Three. "I'm in control": Sergeant Wu, Wit, and Sexual Ambiguity Four. "I never choose sides": Prince-Father-Captain Sean Renard and the Gothic Hero-Villain of Patriarchy Five. "You know, Nick-he's a sensitive Grimm": Nick Burkhardt, Emotional Engagement, and Male Melodrama Six. "Women become aware sooner than men": Marie Kessler, Kelly Burkhardt, and the Crones of Portland Seven. "Smoking that hat": The Shape of Power for Fred/Illyria in Angel and Juliette/Eve in Grimm Eight. "I've seen this before": Rosalee Calvert and Practical Magic Nine-"I just drank my mother": The Abjection of Adalind Schade Ten. "I really didn't expect to live this long": Trubel and the Combative Female Eleven. "You haven't named her yet?": Diana as Demon Child Conclusion: Character and Auteurism Appendix: Grimm Episode List Chapter Notes Works Cited Index
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