Informed by Coleridge's "poetic faith," Faith in Shakespeare ruminates on what it means to believe in the Shakespeare's plays, exploring how their plots can be both preposterous and gripping, and how their characters seem more substantial and enduring than the people surrounding us in the theater.
Informed by Coleridge's "poetic faith," Faith in Shakespeare ruminates on what it means to believe in the Shakespeare's plays, exploring how their plots can be both preposterous and gripping, and how their characters seem more substantial and enduring than the people surrounding us in the theater.
Richard C. McCoy is Distinguished Professor of English at Queens College and the Graduate Center at the City University of New York.
Inhaltsangabe
Introduction: Faith in Shakespeare Chapter 2: The Comedy of Errors and Illusion's Blessed Power Chapter 3: As You Like It and Believing If You Please Chapter 4: Othello and the Stakes of Tragedy Chapter 5: The Winter's Tale and the Recovery of Faith Epilogue: Theater's Potent Art Notes
Introduction: Faith in Shakespeare Chapter 2: The Comedy of Errors and Illusion's Blessed Power Chapter 3: As You Like It and Believing If You Please Chapter 4: Othello and the Stakes of Tragedy Chapter 5: The Winter's Tale and the Recovery of Faith Epilogue: Theater's Potent Art Notes
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