In their analyses of a pivotal work from the Counter Reformation in Germany, the authors provide a broader knowledge of the religious, political, and humanistic currents of the sixteenth century. Their book adds to established scholarship, and will be an essential reference work for research in the history of hymnody and religion in Germany.
In their analyses of a pivotal work from the Counter Reformation in Germany, the authors provide a broader knowledge of the religious, political, and humanistic currents of the sixteenth century. Their book adds to established scholarship, and will be an essential reference work for research in the history of hymnody and religion in Germany.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Richard D. Wetzel earned the Ph.D. in Musicology at the University of Pittsburgh, where he studied under Dénes Bartha, Theodore Finney and Robert J. Snow. Wetzel is on the faculty of the School of Music of Ohio University, Athens, Ohio. Erika Heitmeyer studied Germanistik and Latin philology and was director of studies at Gymansium schools in Dortmund, Germany. She received her Ph.D. in literary science with honors (summa cum laude) from the Universitt Osnabrck, where she studied with Albert Gerhards, Winfried Woesler, and Ulrich Klein. Her articles and essays have been published in various scientific and theological magazines and anthologies.
Inhaltsangabe
Contents Preface Part 1 Context, Format and Style Chapter 1 Johann Leisentrit and the Council of Trent Decades Chapter 2 Early Sixteenth Century Hymnbooks The Protestants Johann Walter, Geistliche Gesang BÙchleyn, 1524, 1525 Michael Weisse, Ein New Gesengbuchlen, 1531 Joseph Klug, Geistliche lieder, 1533, 1535 Valentin Babst, Das Babstsche Gesangbuch, 1545 Lucas Lossius Psalmodia hoc est Cantica sacrä, 1553 Nikolaus Herman Sonntagsevangelia, 1561 The Catholic Pioneers Michael Vehe, Ein new GesangbÙchlin Geystlicher Lieder, 1537 Georg Witzel, Psaltes Ecclesiasticus¿, 1550 The Printers Georg Rhau The Wolrabs Chapter 3 The Texts of Geistliche Lieder und Psalmen, 1567 Commendations and Endorsements Instructional Texts Hymn Texts and Sources Latin Texts and Melody Titles German Texts and Sources Leisentrit's Process of Adaptation Chapter 4 The Melodies of Geistliche Lieder und Psalmen, 1567 Printing, Notation, and Transcription Issues Melody Sources Mode and Style Chapter 5 Illustrations, Borders and Symbols Plates Title Page to Das erste Theil Leisentrit in Prayer Leisentrit's Coat of Arms Dedication to the Holy Roman Emperor Symbols of the Struggles of the Church with Heretics Symbols of the Struggle for Correct Interpretation of Scripture Celebrating the Eucharist with Cup and Loaf Symbols of the Crucifixion, Resurrection, and Eucharist The Murder of Abel by Cain The Temptation of Christ Administering Extreme Unction Christ and the Seven Sacraments A Pastor Teaching Symbolic Portrayal of Simultaneous Lutheran Preaching and Catholic Celebration of the Eucharist Chapter 6 Epilogue Part 2 The Melodies and First Stanzas of Geistliche Lieder und Psalmen, 1567, Transcribed. Sources and Concordances Appendix 1Melody Titles and Text Incipits in Order of Appearance in Geistliche Lieder und Psalmen, 1567 Appendix 2Alphabetical Index of Melody Titles with Text Titles or First Line Incipits Appendix 3Alphabetical Index of First Lines Appendix 4 Table of Modal Characteristics of the Melodies Appendix 5Table of Wood Engravings and Subjects Appendix 6 Latin Hymns and their Adaptations Bibliography General Index
Contents Preface Part 1 Context, Format and Style Chapter 1 Johann Leisentrit and the Council of Trent Decades Chapter 2 Early Sixteenth Century Hymnbooks The Protestants Johann Walter, Geistliche Gesang BÙchleyn, 1524, 1525 Michael Weisse, Ein New Gesengbuchlen, 1531 Joseph Klug, Geistliche lieder, 1533, 1535 Valentin Babst, Das Babstsche Gesangbuch, 1545 Lucas Lossius Psalmodia hoc est Cantica sacrä, 1553 Nikolaus Herman Sonntagsevangelia, 1561 The Catholic Pioneers Michael Vehe, Ein new GesangbÙchlin Geystlicher Lieder, 1537 Georg Witzel, Psaltes Ecclesiasticus¿, 1550 The Printers Georg Rhau The Wolrabs Chapter 3 The Texts of Geistliche Lieder und Psalmen, 1567 Commendations and Endorsements Instructional Texts Hymn Texts and Sources Latin Texts and Melody Titles German Texts and Sources Leisentrit's Process of Adaptation Chapter 4 The Melodies of Geistliche Lieder und Psalmen, 1567 Printing, Notation, and Transcription Issues Melody Sources Mode and Style Chapter 5 Illustrations, Borders and Symbols Plates Title Page to Das erste Theil Leisentrit in Prayer Leisentrit's Coat of Arms Dedication to the Holy Roman Emperor Symbols of the Struggles of the Church with Heretics Symbols of the Struggle for Correct Interpretation of Scripture Celebrating the Eucharist with Cup and Loaf Symbols of the Crucifixion, Resurrection, and Eucharist The Murder of Abel by Cain The Temptation of Christ Administering Extreme Unction Christ and the Seven Sacraments A Pastor Teaching Symbolic Portrayal of Simultaneous Lutheran Preaching and Catholic Celebration of the Eucharist Chapter 6 Epilogue Part 2 The Melodies and First Stanzas of Geistliche Lieder und Psalmen, 1567, Transcribed. Sources and Concordances Appendix 1Melody Titles and Text Incipits in Order of Appearance in Geistliche Lieder und Psalmen, 1567 Appendix 2Alphabetical Index of Melody Titles with Text Titles or First Line Incipits Appendix 3Alphabetical Index of First Lines Appendix 4 Table of Modal Characteristics of the Melodies Appendix 5Table of Wood Engravings and Subjects Appendix 6 Latin Hymns and their Adaptations Bibliography General Index
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