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For too long the essential basis of George Oppen's poetry-the words on the page and their acoustics-has been ignored in critical discussions of his work. Challenging this neglect, Richard Swigg offers the reader a direct route into the visual/auditory dimension of the poems as they develop from the 1930s to the 1970s.

Produktbeschreibung
For too long the essential basis of George Oppen's poetry-the words on the page and their acoustics-has been ignored in critical discussions of his work. Challenging this neglect, Richard Swigg offers the reader a direct route into the visual/auditory dimension of the poems as they develop from the 1930s to the 1970s.
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Autorenporträt
The late Richard Swigg, was senior lecturer in English at Keele University. He wrote on D.H. Lawrence, Thomas Hardy, William Carlos Williams, T.S. Eliot and Marianne Moore. He published the collected recordings of Williams, George Oppen, Charles Tomlinson, Basil Bunting and Hugh MacDiarmid.