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Examines how cinema has been transformed and strengthened through museological and archival activities since its origins, and asks what paradoxes may be involved in putting cinema in a museum. This book looks at the tensions between the history of film as an aesthetic product and cinema as a 'leisure' activity.
An International Study of Film Museums examines how cinema has been transformed and strengthened through museological and archival activities since its origins, and asks what paradoxes may be involved, if any, in putting cinema into a museum.

Produktbeschreibung
Examines how cinema has been transformed and strengthened through museological and archival activities since its origins, and asks what paradoxes may be involved in putting cinema in a museum. This book looks at the tensions between the history of film as an aesthetic product and cinema as a 'leisure' activity.
An International Study of Film Museums examines how cinema has been transformed and strengthened through museological and archival activities since its origins, and asks what paradoxes may be involved, if any, in putting cinema into a museum.
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Autorenporträt
Rinella Cere is a Reader in Media and Cultural Studies at Sheffield Hallam University. She teaches the courses Globalisation and the Media and Postcolonial Media Culture and her publications include books, chapters and journal articles on media and popular culture in Britain, France and Italy. She is continuing to research museums of cinema around the world.