This book attends not only to theoretical and empirical examinations but also to methodological and philosophical considerations at the intersection of sound and education.
This book attends not only to theoretical and empirical examinations but also to methodological and philosophical considerations at the intersection of sound and education.
Walter S. Gershon is Associate Professor in the School of Teaching, Learning & Curriculum Studies, and LGBTQ Affiliate Faculty at Kent State University, USA.
Inhaltsangabe
1 Introduction: Sound Curriculum: Breaking Frames and Opening Ears 2 Sounds as Educational Systems of Being and Knowing 3 Resonances and Reverberations: A Sonic Educational Philosophy 4 Silencing Students: Wishing the Hearing Deaf and the Deaf Hearing 5 Sound Methods in Education: Ethnographic, Cartographic, Narrative, and Otherwise 6 Songs to Nowhere: When Critically Creative Processes Meet Impotent Curricular Products 7 Students as Improvisers: The Extra-ordinary Negotiations of Daily Life in Schools 8 Sound Art, Social Justice: Black Lives Matter/Aural Response 9 Conclusion
1 Introduction: Sound Curriculum: Breaking Frames and Opening Ears 2 Sounds as Educational Systems of Being and Knowing 3 Resonances and Reverberations: A Sonic Educational Philosophy 4 Silencing Students: Wishing the Hearing Deaf and the Deaf Hearing 5 Sound Methods in Education: Ethnographic, Cartographic, Narrative, and Otherwise 6 Songs to Nowhere: When Critically Creative Processes Meet Impotent Curricular Products 7 Students as Improvisers: The Extra-ordinary Negotiations of Daily Life in Schools 8 Sound Art, Social Justice: Black Lives Matter/Aural Response 9 Conclusion
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