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Reality-based shows are gradually taking over global television programming. The popularity of these shows is such that television stations and networks find themselves scrambling to place more reality programmes on air to keep up with audience demands. The driving force of reality programming lies in the fact that, it places the audience member on the opposite side of the entertainment arena, providing all viewers with the possibility of becoming potential entertainers. The focus of this study therefore, was to analyse reality television programmes, finding out the contents of the programmes…mehr

Produktbeschreibung
Reality-based shows are gradually taking over global television programming. The popularity of these shows is such that television stations and networks find themselves scrambling to place more reality programmes on air to keep up with audience demands. The driving force of reality programming lies in the fact that, it places the audience member on the opposite side of the entertainment arena, providing all viewers with the possibility of becoming potential entertainers. The focus of this study therefore, was to analyse reality television programmes, finding out the contents of the programmes and identifying their thematic direction, as well as assessing the perception of University Students towards reality television programmes.
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Autorenporträt
Wilfred Oritsesan Olley is a communication scholar from Delta State, Nigeria. An alumnus of the Delta State University Abraka, the University of Nigeria Nsukka and the University of Uyo, Uyo, where he bagged his degrees in Mass Communication. At present, he teaches in the Department of Mass Communication, Edo University, Iyamoh, Edo State, Nigeria.