The Naked Room - Schneberg, Willa
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"Poetry is a form of writing ideally suited to the expression of emotion and the most profound and subtle workings of the mind. But what if that mind is shattered, and those emotions in disarray? Such is the subject explored in Willa Schneberg's new poetry collection The Naked Room, which draws on her experiences as a therapist to take us on a journey through the disturbing history of psychotherapy and the treatment of mental illness, and into the current state of the art and state of the world. What keeps this from being a grim undertaking is the sheer beauty and precision of her language, as…mehr

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Produktbeschreibung
"Poetry is a form of writing ideally suited to the expression of emotion and the most profound and subtle workings of the mind. But what if that mind is shattered, and those emotions in disarray? Such is the subject explored in Willa Schneberg's new poetry collection The Naked Room, which draws on her experiences as a therapist to take us on a journey through the disturbing history of psychotherapy and the treatment of mental illness, and into the current state of the art and state of the world. What keeps this from being a grim undertaking is the sheer beauty and precision of her language, as in this passage from "Tiny Monuments" describing the urns that hold the cremated remains of patients at the Oregon State Hospital (depicted on the cover of the book in a photograph by the poet): "These tiny monuments to the scorned and unknown, / wear patinas of pink, burnt sienna, ocher, aqua, / and if you look closely you will find / moon craters, archipelagos, frozen waterfalls, / Big Dippers and dunes with lone tracks." The goal of healing that drives her therapeutic practice informs these poems as well, ending in the necessity of love, her closing image that of a long-time couple spooning in bed, "as if we would always / fit that way." These poems, too, fit that way, a comforting reassurance"--
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Autorenporträt
Willa Schneberg is a poet, ceramic sculptor, interdisciplinary artist, essayist, curator and a Licensed Clinical Social Worker, (LCSW) in private practice. She is the author of five prior collections, including In the Margins of the World, Storytelling in Cambodia, and The Books of Esther, a letterpress chapbook produced in conjunction with the eponymous interdisciplinary exhibit, which was on view at the Oregon Jewish Museum and Center for Holocaust Education (OJMCHE). Storytelling in Cambodia was inspired by her time working for the United Nations Transitional Authority in Cambodia. Among the honors she has received are the Oregon Book Award in Poetry, the Barbara Deming Memorial Fund Award, Second Place in the Allen Ginsberg Poetry Awards, inclusion in The Year's Best Fantasy and Horror Nineteenth Collection, two fellowships in Poetry from Literary Arts, Inc., residencies at Yaddo, MacDowell and Kathmandu, Nepal, and poems on the Writer's Almanac. Her poetry has been translated into Hebrew, Arabic, Nepali and Korean.