William R. Pace, Ingrid Stobbe

The Filmmaker's Guide to Creatively Embracing Limitations

Not Getting What You Want Leading to Creating What You Need

• Gebundenes Buch

Produktbeschreibung

How can a filmmaker channel their creativity past daunting challenges to create compelling films? Providing historical and contemporary examples, and outlining practical exercises filmmakers can apply to their own processes, the book illustrates how filmmakers can transform obstacles into successes.

---

Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• Verlag: Routledge
• Seitenzahl: 198
• Erscheinungstermin: 19. Juli 2023
• Englisch
• Abmessung: 240mm x 161mm x 15mm
• Gewicht: 469g
• ISBN-13: 9781032261263
• ISBN-10: 1032261269
• Artikelnr.: 67826027

Autorenporträt

William Pace is an alumnus of NYU's acclaimed graduate Film & TV program and has written five distributed independent feature films (four of which he co-produced), assorted TV episodes, and several optioned screenplays. He has also directed the award-winning feature film Charming Billy, and several award-winning short films, including "A Relaxing Day" (written by Pulitzer-nominated playwright Theresa Rebeck). He continues to work professionally as well as serve as a Faculty Associate of Digital Media Production at Seton Hall University in New Jersey, USA, where he teaches screenwriting, film production, and editing. Ingrid Stobbe is an Associate Professor of Digital Filmmaking at Lesley University's College of Art & Design in Cambridge. She is an Advisor to the board of Women in Film & Video New England, as well as a former editorial board member of the Journal of Film & Video, and previously served on the Marketing Committee for the Metropolitan New York Chapter of the US National Committee for UN Women. She has comprehensive experience designing curricula for the visual arts, and her pedagogy has been internationally recognized - most recently including the 2021 Best-In-Track award at OLC Innovate, and the 2020 University Film and Video Association Award of Teaching Excellence. She additionally advises tenure track and full-time academic applications, and regularly speaks at various institutions about media production's evolving landscape, and its broader social impact.

Inhaltsangabe

Part 1: Limitation Throughout History 1. The Problem of Choice 2.
Historical Limitations Throughout Film Production's Evolution Leading to
Innovation 3. Film, Digital, Accessibility and Contemporary Trends 4. From
Sow's Ear to Silk Purse: Successful Case Histories of Creative Victories
Through Limitation Part 2: Practical Implementation 5. The Why of Why: Why
Is Each Element Important and how does Limitation Aid the Storyteller? 6.
Exercises in Limitation: Storytelling on the Page 7. Exercises in
Limitation: Storytelling on Screen 8. Exercises in Limitation: Storytelling
in the Editing Room Part 3: Conclusions 9. The Day You Have No Limitations
is The Day You Have No Choice Part 4: Interviews 10. Interviews With
Working Artists On the Role of Limitations In Creating Their Work Part 5:
Addendum 11. Spare Scenes For Your Use and Practice