This book aims to display the underpinnings and subtle references of racism and xenophobia embedded deep into literary works and personas both fictional and real. In the main chapters, literary works are dissected to underline the intolerance hidden behind words of righteousness and blind trust, as if such is the norm.
This book aims to display the underpinnings and subtle references of racism and xenophobia embedded deep into literary works and personas both fictional and real. In the main chapters, literary works are dissected to underline the intolerance hidden behind words of righteousness and blind trust, as if such is the norm.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Wisam Abughosh Chaleila is Assistant Professor and Head of the English Department at Al-Qasemi College of Education in Israel. She earned her bachelor's and master's degrees in English and German language and literature from the Hebrew University of Jerusalem. Later, she obtained a Joint Ph.D. degree in English and American literature from the University of Haifa in Israel and KU Leuven in Belgium. She was also enrolled in a postdoctoral program in KU Leuven. Chaleila specializes in literature and her teaching fields include Anglo-American literature and poetry, multi-ethnic literature, English teaching, and academic writing. Her research spans teaching approaches, critical theory, literary theory, early and modern literatures, poetic justice and law, American history, ethnic identity, Darwinism, and Marxism.
Inhaltsangabe
Introduction I Background II When a House is Not a Home: Materialism Nostalgia and Death III Racist Xenophobic and Materialist 1920s America IV Collectiveness Doubleness and Imitation V The House of Mirth and the Spirit of the Roaring Twenties Conclusion
Introduction I Background II When a House is Not a Home: Materialism Nostalgia and Death III Racist Xenophobic and Materialist 1920s America IV Collectiveness Doubleness and Imitation V The House of Mirth and the Spirit of the Roaring Twenties Conclusion
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