Roman Catholic church music in England served the needs of a vigorous, vibrant and multi-faceted community that grew from about 70,000 to 1.7 million people during the long nineteenth century. This book provides a framework of the main aspects of Catholic church music in this period showing how and why it developed in the way it did. Dr Muir sets the music in its proper historical, liturgical and legal context pointing to the ways in which the music itself can be used as evidence to throw light on the changing character of English Catholicism.
Roman Catholic church music in England served the needs of a vigorous, vibrant and multi-faceted community that grew from about 70,000 to 1.7 million people during the long nineteenth century. This book provides a framework of the main aspects of Catholic church music in this period showing how and why it developed in the way it did. Dr Muir sets the music in its proper historical, liturgical and legal context pointing to the ways in which the music itself can be used as evidence to throw light on the changing character of English Catholicism.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Thomas Muir read History at Oxford and taught History and Politics at Stonyhurst College, for whom he wrote the definitive history Stonyhurst College 1593-1993, now in its second edition. Between 1997-2005 he read Music at the universities of York and Durham. His doctoral thesis 'Full in the Panting Heart of Rome', Roman Catholic Church Music In England 1850-1962 broke new ground in the use of database technology for the large-scale analysis of performance repertoire, providing much of the basic research material on which this book is based. The author of numerous historical and musicological articles, he is an experienced composer, his latest project being the composition of a large cycle of chamber music inspired by the legend of the Green Man.
Inhaltsangabe
List of Figures List of Tables List of Music Examples Acknowledgements List of Abbreviations and Terminology Preface General Editor's Series Preface Introduction: Nineteenth-Century English Catholic Music: A Neglected Heritage I. HERITAGE HISTORY AND LITURGY 1. The Historical Background 2. The Liturgical Framework II. CATHOLIC MUSIC IN THE LATE EIGHTEENTH AND EARLY NINETEENTH CENTURIES 3. Plainchant in the Late Eighteenth and Early Nineteenth Centuries 4. Music at the London Embassy Chapels and their Successors III. ULTRAMONTANE INFLUENCES ON CATHOLIC CHURCH MUSIC 5. Plainchant Reinterpreted 6. The Revival of Renaissance Polyphony IV. MUSIC FOR EXTRA-LITURGICAL SERVICES 7. Catholic Vernacular Hymnody c.1842-1913 8. Music for Benediction V. THE IRON FRAME: CATHOLIC MUSIC DURING THE EARLY TWENTIETH CENTURY 9. The New Legislative Framework 10. Plainchant from Solesmes 11. Renaissance Polyphony with an English Inflexion: The Work of Sir Richard Terry Conclusion: Catholic Church Music in the Early Twentieth Century: Visions of Uniformity - Diverse Reality Select Bibliography Index
List of Figures List of Tables List of Music Examples Acknowledgements List of Abbreviations and Terminology Preface General Editor's Series Preface Introduction: Nineteenth-Century English Catholic Music: A Neglected Heritage I. HERITAGE HISTORY AND LITURGY 1. The Historical Background 2. The Liturgical Framework II. CATHOLIC MUSIC IN THE LATE EIGHTEENTH AND EARLY NINETEENTH CENTURIES 3. Plainchant in the Late Eighteenth and Early Nineteenth Centuries 4. Music at the London Embassy Chapels and their Successors III. ULTRAMONTANE INFLUENCES ON CATHOLIC CHURCH MUSIC 5. Plainchant Reinterpreted 6. The Revival of Renaissance Polyphony IV. MUSIC FOR EXTRA-LITURGICAL SERVICES 7. Catholic Vernacular Hymnody c.1842-1913 8. Music for Benediction V. THE IRON FRAME: CATHOLIC MUSIC DURING THE EARLY TWENTIETH CENTURY 9. The New Legislative Framework 10. Plainchant from Solesmes 11. Renaissance Polyphony with an English Inflexion: The Work of Sir Richard Terry Conclusion: Catholic Church Music in the Early Twentieth Century: Visions of Uniformity - Diverse Reality Select Bibliography Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497