Purity is a Myth - The Materiality of Concrete Art from Argentina, Brazil, and Uruguay - Gilbert, Zanna; Gottschaller, Pia; Learner, Tom
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Originally coined by the Dutch artist Theo van Doesburg in 1930, the term concrete denotes abstract painting with no reference to external reality. Presenting new scholarship, this publication is the first comprehensive study of the Concrete art movement in Argentina, Brazil, and Uruguay from the 1940s to the 1960s.

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Produktbeschreibung
Originally coined by the Dutch artist Theo van Doesburg in 1930, the term concrete denotes abstract painting with no reference to external reality. Presenting new scholarship, this publication is the first comprehensive study of the Concrete art movement in Argentina, Brazil, and Uruguay from the 1940s to the 1960s.
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Autorenporträt
Zanna Gilbert is a senior research specialist at the Getty Research Institute. Pia Gottschaller is a senior lecturer at the Courtauld Institute of Art. Tom Learner is head of the Getty Conservation Institute's Science Department. Andrew Perchuk is deputy director of the Getty Research Institute.