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"Slow Scrape is, in the words of Layli Long Soldier, 'an expansive and undulating meditation on time, relations, origin and colonization.' Lukin Linklater draws upon documentary poetics, concrete-based installations, event scores, and other texts composed in relation to performances written between 2011 and 2018. The book cites memory, Cree and Alutiiq languages, and embodiment as modes of relational being and knowledge. The book unfolds a poetics of relation and action to counter the settler colonial violences of erasure, extraction, and dispossession. Slow Scrape can be read alongside Lukin…mehr

Produktbeschreibung
"Slow Scrape is, in the words of Layli Long Soldier, 'an expansive and undulating meditation on time, relations, origin and colonization.' Lukin Linklater draws upon documentary poetics, concrete-based installations, event scores, and other texts composed in relation to performances written between 2011 and 2018. The book cites memory, Cree and Alutiiq languages, and embodiment as modes of relational being and knowledge. The book unfolds a poetics of relation and action to counter the settler colonial violences of erasure, extraction, and dispossession. Slow Scrape can be read alongside Lukin Linklater's practice as a visual artist and choreographer."--
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Autorenporträt
Tanya Lukin Linklater's performances, works for camera, installations, and writings centre Indigenous peoples' lived experiences, (home)lands, and structures of sustenance. Her performances in relation to objects in exhibition, scores, and Ancestral belongings generate what she has come to call felt structures. Her work has been shown at the Aichi Triennale, Art Gallery of Ontario, Chicago Architecture Biennial, New Museum Triennial, San Francisco Museum of Modern Art, Toronto Biennial of Art, and elsewhere. In 2021 she received the Herb Alpert Award in the Arts. Her Alutiiq/Sugpiaq homelands are in the Kodiak Island archipelago in southwestern Alaska.