Addressing epistemological questions about embodiment and perception, author Tara Pedersen furthers research about early modern theatrical culture by focusing on under-theorized representations of mermaids in English locations and texts. This study positions the mermaid as a lens through which to reexamine historically specific debates about gender
Addressing epistemological questions about embodiment and perception, author Tara Pedersen furthers research about early modern theatrical culture by focusing on under-theorized representations of mermaids in English locations and texts. This study positions the mermaid as a lens through which to reexamine historically specific debates about gender
Tara E. Pedersen is Assistant Professor of English at the University of Wisconsin-Parkside, USA.
Inhaltsangabe
Identifying mermaids: economies of representation in Dekker and Middleton's The Roaring Girl. 'We shall discover our selves': practicing the mermaid's law in Margaret Cavendish's The Convent of Pleasure. Perfect pictures: the mermaid's half-theater and the anti-theatrical debates in Book II of Spenser's The Faerie Queene. Reading Like a mermaid: Antony and Cleopatra's (un)mysterious history and the case of the disappearing snake. Afterword: 'Drown'd! O, where?': the mermaid and the map in Shakespeare's Hamlet. Works cited.
Identifying mermaids: economies of representation in Dekker and Middleton's The Roaring Girl. 'We shall discover our selves': practicing the mermaid's law in Margaret Cavendish's The Convent of Pleasure. Perfect pictures: the mermaid's half-theater and the anti-theatrical debates in Book II of Spenser's The Faerie Queene. Reading Like a mermaid: Antony and Cleopatra's (un)mysterious history and the case of the disappearing snake. Afterword: 'Drown'd! O, where?': the mermaid and the map in Shakespeare's Hamlet. Works cited.
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