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A fully illustrated examination of the use of color in clay, outlining its history and exploring the styles and techniques of the leading modern makers. Mix two or more colors of clay as part of a piece's design, and you are creating nerikomi. There are many techniques - stacking, stretching, slicing - but with nerikomi, the decoration is built and fired into the work's very fabric, rather than glazing it later. This beautifully illustrated introduction by accomplished nerikomi specialist Thomas Hoadley includes: - A brief history of the origins and international styles of colored clay - A…mehr

Produktbeschreibung
A fully illustrated examination of the use of color in clay, outlining its history and exploring the styles and techniques of the leading modern makers. Mix two or more colors of clay as part of a piece's design, and you are creating nerikomi. There are many techniques - stacking, stretching, slicing - but with nerikomi, the decoration is built and fired into the work's very fabric, rather than glazing it later. This beautifully illustrated introduction by accomplished nerikomi specialist Thomas Hoadley includes: - A brief history of the origins and international styles of colored clay - A section dedicated to the most honored Japanese Masters of nerikomi - Stunning examples of work from the world's leading experts - Step-by-step examples of many of the techniques employed Whether you simply enjoy the beauty of multicolored clay, or are seeking inspiration, this essential volume contains everything you need to embark on your own nerikomi projects.
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Autorenporträt
Thomas Hoadley received a BA in Studio Art from Amherst College and an MS in Ceramics from Illinois State University. He has studied and apprenticed with Vermont potter Malcolm Wright who brought the traditions of the Japanese Karatsu-style wood-fired pottery to the United Sates. Thomas then moved to the Berkshires in Massachusetts to establish his pottery studio. His work is in the permanent collection of the White House, the Philadelphia Museum of Art, the Los Angeles County Museum of Art and the Henry Ford Community College. His art is featured in The Complete Potter: Porcelain (1994), The White House Collection of American Crafts (1995), Contemporary Studio Porcelain (2003) and Naked Clay (2004).