Beata Boles?awska, Translated By Richard J. Reisner

The Life and Works of Andrzej Panufnik (1914-1991) (eBook, ePUB)

• Format: ePub

Produktbeschreibung

Sir Andrzej Panufnik was born in Warsaw and studied in the newly independent Poland in the 1930s, as well as in Vienna and Paris just before the outbreak of the Second World War. During the German occupation he formed a piano duo with his friend and fellow composer Witold Lutoslawski, and they performed in caf around Warsaw. After the war, Panufnik quickly established himself as a leading Polish composer, and as a conductor he played a significant role in the re-establishment of first the Kraków and then the Warsaw Philharmonic. Although he was considered Polands leading composer for some years after the war, Panufnik was subsequently put under intolerable pressure both musically and politically. Frustrated by the continuing rejection of his compositions and the unending political demands inflicted on him by the country's post-war Communist regime, he made a daring escape to England in 1954. He briefly became Principal Conductor of the City of Birmingham Symphony Orchestra, a post he relinquished after two years to devote all his time to composition. His works were in demand by major figures such as Leopold Stokowski who conducted the first performances of Sinfonia Elegiaca, Katyn Epitaph and Universal Prayer, Yehudi Menuhin who commissioned the Violin Concerto, Seiji Ozawa in Boston and Sir Georg Solti in Chicago who both commissioned symphonies for the centenaries of their famous orchestras; also Mstislav Rostropovich with the London Symphony Orchestra, who together commissioned the Cello Concerto. Beata Boleslawska has written the first book on the life and artistic output of Panufnik, setting his significance alongside the political and cultural scene of twentieth-century Europe. The account of the composer's life is based on numerous archival documents, as well as the personal accounts contributed by his family and friends. Panufnik's compositional style and techniques are also analysed. This book will be of interest not only to those devoted

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 226
• Erscheinungstermin: 5. Juli 2017
• Englisch
• ISBN-13: 9781351542913
• Artikelnr.: 49044089

Autorenporträt

Beata BolesÅ,awska studied at the Institute of Musicology at Warsaw University (Poland). In 2000 she was commissioned by PWM Edition (Polish State Music Publishers) to write a monograph on Sir Andrzej Panufnik, which was published in September 2001. In 2010 she completed her doctoral studies at Cardiff University, with a thesis entitled 'Symphony and Symphonic Thinking in Polish Music after 1956'. In 2013 and 2014, PWM Edition also published her collected conversations about Górecki (Górecki: A Portrait in Memory) and Panufnik (Panufnik: Architect of Emotion). In addition BolesÅ,awska has written for websites devoted to both Górecki (threecomposers.pl) and Panufnik (panufnik.polmic.pl and ninateka.pl/kolekcje/Panufnik). BolesÅ,awska has taken part in many Polish and international musicological conferences, presenting papers on Panufnik, Górecki, Mycielski and the Warsaw Autumn Festival. She has also published numerous articles and reviews on Polish contemporary music for musicological journals and music magazines both in Poland and abroad. From 1997 to 2005 she worked for the Warsaw Autumn International Festival of Contemporary Music. Since 2005 she has worked for Polish public television and is currently with the Culture Channel, TVP Kultura. She is a member of the Main Board, and Board of the Musicological Section, of the Polish Composers' Union.

Inhaltsangabe

Contents: Foreword
Preface
Early years
Education and first attempts at composition
The Second World War and the Nazi occupation
The new reality - The first years after the war
Socialist realism and the decision to emigrate
Escape from Poland and first years in a new homeland
Birmingham - The conductor and a return to composition
Success of Sinfonia Sacra, marriage and beginning of stabilisation
The search for a new musical language, and artistic flourishing after 1968
The last decade - The years of fulfilment
Andrzej Panufnik's compositional style - A sketch
Symmetry in the composer's self-reflection
Symmetry in terms of harmony and tonality
Symmetry in terms of musical syntax
Symmetry of form
Afterword
Chronological list of compositions
Index.