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Contemporary Dance Lighting: The Poetry and the Nitty-Gritty dynamically guides students toward aesthetically, creatively, and skillfully becoming lighting designers for dance in the 21st century.
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Contemporary Dance Lighting: The Poetry and the Nitty-Gritty dynamically guides students toward aesthetically, creatively, and skillfully becoming lighting designers for dance in the 21st century.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 248
- Erscheinungstermin: 23. September 2022
- Englisch
- Abmessung: 226mm x 148mm x 14mm
- Gewicht: 400g
- ISBN-13: 9781032130453
- ISBN-10: 1032130458
- Artikelnr.: 64102904
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 248
- Erscheinungstermin: 23. September 2022
- Englisch
- Abmessung: 226mm x 148mm x 14mm
- Gewicht: 400g
- ISBN-13: 9781032130453
- ISBN-10: 1032130458
- Artikelnr.: 64102904
Carol M. Press, EdD earned her doctorate from Columbia Teachers College in Dance Education and Clinical Psychology. Dr. Press is a choreographer, performer, scholar, writer, and teacher whose choreographies have been shown internationally. She is the author of The Dancing Self: Creativity, Modern Dance, Self Psychology and Transformative Education, and co-editor with Dr. Edward Warburton of Creating Dance: A Traveler's Guide. Currently, Dr. Press teaches Dance History and Dance Education in the Department of Theater and Dance at the University of California, Santa Barbara. Vickie J. Scott earned graduate degrees in Lighting Design and Technical Direction at the School of Theater, Film and Television at the University of California, Los Angeles. She creates lighting and scenic designs for dance and theater throughout the US and abroad, and she is the resident lighting designer and production coordinator for the Ojai Playwrights Conference, the chairperson of the Advisory Board for The California Arts Project (TCAP), a member of the United Scenic Artists local 829, and the founding director of the Initiative for New and Reimagined Work in the Department of Theater and Dance at the University of California, Santa Barbara, where she currently teaches and works as a designer.
Part 1: Beginnings 1. Book Design 2. History Lights Our Way. Further
Reflections by Vickie J. Scott Part 2: The Poetry 3. Visual Narrative.
Further Reflections by Mark Stanley 4. Controllable Qualities and
Functions. Further Reflections by Richard Dunham 5. Space. Further
Reflections by Japhy Weideman 6. Color. Further Reflections by James E.
Streeter 7. Time. Further Reflections by Jennifer Tipton 8. Collaboration.
Further Reflections by Nancy Colahan 9. Technology. Further Reflections by
Dr. Thomas F. DeFrantz Part 3: The Nitty-Gritty 10. Your Tools. Further
Reflections by Todd Proffitt 11. Your Light Plot and Paperwork. Further
Reflections by Beverly Emmons Appendix 1. USITT Recommended Practices for
Theatrical Lighting Design Graphics Appendix 2. Endless Questions for You
as a Collaborator Appendix 3. Sweet Summer Suite: Original Notes, Light
Plot, and Paperwork Appendix 4. Stage Managing for Dance: A Guide for UCSB
Dance Concerts Appendix 5. Suggested Further Reading
Reflections by Vickie J. Scott Part 2: The Poetry 3. Visual Narrative.
Further Reflections by Mark Stanley 4. Controllable Qualities and
Functions. Further Reflections by Richard Dunham 5. Space. Further
Reflections by Japhy Weideman 6. Color. Further Reflections by James E.
Streeter 7. Time. Further Reflections by Jennifer Tipton 8. Collaboration.
Further Reflections by Nancy Colahan 9. Technology. Further Reflections by
Dr. Thomas F. DeFrantz Part 3: The Nitty-Gritty 10. Your Tools. Further
Reflections by Todd Proffitt 11. Your Light Plot and Paperwork. Further
Reflections by Beverly Emmons Appendix 1. USITT Recommended Practices for
Theatrical Lighting Design Graphics Appendix 2. Endless Questions for You
as a Collaborator Appendix 3. Sweet Summer Suite: Original Notes, Light
Plot, and Paperwork Appendix 4. Stage Managing for Dance: A Guide for UCSB
Dance Concerts Appendix 5. Suggested Further Reading
Part 1: Beginnings 1. Book Design 2. History Lights Our Way. Further
Reflections by Vickie J. Scott Part 2: The Poetry 3. Visual Narrative.
Further Reflections by Mark Stanley 4. Controllable Qualities and
Functions. Further Reflections by Richard Dunham 5. Space. Further
Reflections by Japhy Weideman 6. Color. Further Reflections by James E.
Streeter 7. Time. Further Reflections by Jennifer Tipton 8. Collaboration.
Further Reflections by Nancy Colahan 9. Technology. Further Reflections by
Dr. Thomas F. DeFrantz Part 3: The Nitty-Gritty 10. Your Tools. Further
Reflections by Todd Proffitt 11. Your Light Plot and Paperwork. Further
Reflections by Beverly Emmons Appendix 1. USITT Recommended Practices for
Theatrical Lighting Design Graphics Appendix 2. Endless Questions for You
as a Collaborator Appendix 3. Sweet Summer Suite: Original Notes, Light
Plot, and Paperwork Appendix 4. Stage Managing for Dance: A Guide for UCSB
Dance Concerts Appendix 5. Suggested Further Reading
Reflections by Vickie J. Scott Part 2: The Poetry 3. Visual Narrative.
Further Reflections by Mark Stanley 4. Controllable Qualities and
Functions. Further Reflections by Richard Dunham 5. Space. Further
Reflections by Japhy Weideman 6. Color. Further Reflections by James E.
Streeter 7. Time. Further Reflections by Jennifer Tipton 8. Collaboration.
Further Reflections by Nancy Colahan 9. Technology. Further Reflections by
Dr. Thomas F. DeFrantz Part 3: The Nitty-Gritty 10. Your Tools. Further
Reflections by Todd Proffitt 11. Your Light Plot and Paperwork. Further
Reflections by Beverly Emmons Appendix 1. USITT Recommended Practices for
Theatrical Lighting Design Graphics Appendix 2. Endless Questions for You
as a Collaborator Appendix 3. Sweet Summer Suite: Original Notes, Light
Plot, and Paperwork Appendix 4. Stage Managing for Dance: A Guide for UCSB
Dance Concerts Appendix 5. Suggested Further Reading