Internationally acclaimed pianist and teacher Claudio Arrau (1903-91) left a legacy that continues to touch piano students today. This book is an in-depth guide to Arrau's performance and teaching techniques, providing an insider's view of the art of piano playing as exemplified by one of the great artists of the twentieth century.
Internationally acclaimed pianist and teacher Claudio Arrau (1903-91) left a legacy that continues to touch piano students today. This book is an in-depth guide to Arrau's performance and teaching techniques, providing an insider's view of the art of piano playing as exemplified by one of the great artists of the twentieth century.
Victoria von Arx is a currently a member of the music faculty at the University at Albany and an active performer of piano and chamber music. She has written articles appearing in the Journal of the Society for American Music, the International Dictionary of Black Composers, and the RiD'im Newsletter.
Inhaltsangabe
Introduction SECTION 1: ARRAU'S PREDECESSORS Chapter 1 Martin Krause Chapter 2 Arrau and the Lisztian Legacy Chapter 3 Rudolf Breithaupt Section 2: TECHNIQUE Chapter 4 Arrau's Concept of Technique and Virtuosity Chapter 5 The "Arrau Technique" 5.1 Hand and Wrist Position 5.2 The Fingers 5.3 Dropping the Arm 5.4 Pushing the Arm Up 5.5 Reciprocal Vertical Motion 5.6 Vibration 5.7 Rotation 5.8 Circular Motion 5.9 Fingering and use of the Thumb Section 3: TEACHING Chapter 6 Arrau's Collaboration with Rafael De Silva: A Community of Learners Conclusion APPENDIX: LESSONS 1. Frederic Chopin: Ballade no. 2 in F major, Op. 38 mm. 1-46 mm. 38-83 mm. 79-170 mm. 169-end 2. Ludwig van Beethoven: Sonata in A-flat major, Op. 110 Moderato cantabile, molto espressivo Allegro molto Adagio ma non troppo Fuga - Allegro, ma non troppo 3. Maurice Ravel: Gaspard de la nuit Scarbo mm. 1-119 mm. 119-220 mm. 232-332 mm. 332-end 4. Maurice Ravel: Gaspard de la nuit Ondine mm. 1-41 mm. 41-49 mm. 49-70 mm. 70-80 5. Ludwig van Beethoven: Fifteen Variations with Fugue, Op. 35 "Eroica" 6. Richard Strauss: Burleske, TrV 145 Bibliography Index
Introduction SECTION 1: ARRAU'S PREDECESSORS Chapter 1 Martin Krause Chapter 2 Arrau and the Lisztian Legacy Chapter 3 Rudolf Breithaupt Section 2: TECHNIQUE Chapter 4 Arrau's Concept of Technique and Virtuosity Chapter 5 The "Arrau Technique" 5.1 Hand and Wrist Position 5.2 The Fingers 5.3 Dropping the Arm 5.4 Pushing the Arm Up 5.5 Reciprocal Vertical Motion 5.6 Vibration 5.7 Rotation 5.8 Circular Motion 5.9 Fingering and use of the Thumb Section 3: TEACHING Chapter 6 Arrau's Collaboration with Rafael De Silva: A Community of Learners Conclusion APPENDIX: LESSONS 1. Frederic Chopin: Ballade no. 2 in F major, Op. 38 mm. 1-46 mm. 38-83 mm. 79-170 mm. 169-end 2. Ludwig van Beethoven: Sonata in A-flat major, Op. 110 Moderato cantabile, molto espressivo Allegro molto Adagio ma non troppo Fuga - Allegro, ma non troppo 3. Maurice Ravel: Gaspard de la nuit Scarbo mm. 1-119 mm. 119-220 mm. 232-332 mm. 332-end 4. Maurice Ravel: Gaspard de la nuit Ondine mm. 1-41 mm. 41-49 mm. 49-70 mm. 70-80 5. Ludwig van Beethoven: Fifteen Variations with Fugue, Op. 35 "Eroica" 6. Richard Strauss: Burleske, TrV 145 Bibliography Index
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