Focusing on a single Malian textile identified variously as bogolanfini, bogolan, or mudcloth, Victoria L. Rovine traces the dramatic technical and stylistic innovations that have transformed the cloth from its village origins into a symbol of new internationalism.
Focusing on a single Malian textile identified variously as bogolanfini, bogolan, or mudcloth, Victoria L. Rovine traces the dramatic technical and stylistic innovations that have transformed the cloth from its village origins into a symbol of new internationalism.
Victoria L. Rovine is Assistant Professor of Art History and African Studies at the University of Florida. She is a contributor to Fashioning Africa (IUP, 2004). She lives in Gainesville, Florida.
Inhaltsangabe
Preface to the second edition Acknowledgments 1. Introduction: Bogolan's Biography 2. The Rural Roots of Bogolan 3. The Tourist Art Market: Commerce in Authenticity 4. Tourist Market Bogolan: Changing Demands, Changing Forms 5. Fine Art Bogolan: Between Categories 6. The Fine Art Market: From Bogolan to Le Bogolan 7. Culture through Clothing: Bogolan as Fashion 8. Making It Modern: Bogolan Clothing's Dual Directions 9. Bogolan Abroad: Reverberations in the United States 10. Conclusion: Making the Traditional Modern Notes Selected Bibliography Index
Preface to the second edition Acknowledgments 1. Introduction: Bogolan's Biography 2. The Rural Roots of Bogolan 3. The Tourist Art Market: Commerce in Authenticity 4. Tourist Market Bogolan: Changing Demands, Changing Forms 5. Fine Art Bogolan: Between Categories 6. The Fine Art Market: From Bogolan to Le Bogolan 7. Culture through Clothing: Bogolan as Fashion 8. Making It Modern: Bogolan Clothing's Dual Directions 9. Bogolan Abroad: Reverberations in the United States 10. Conclusion: Making the Traditional Modern Notes Selected Bibliography Index
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