What are the physical and psychological processes which enable actors to create characters so different from themselves? To understand this phenomenon, Vladimir Mirodan provides a historical overview of the evolution of 'character' in Western theatre, and a stunning contemporary analysis of the theoretical implications of transformative acting.
What are the physical and psychological processes which enable actors to create characters so different from themselves? To understand this phenomenon, Vladimir Mirodan provides a historical overview of the evolution of 'character' in Western theatre, and a stunning contemporary analysis of the theoretical implications of transformative acting.
Vladimir Mirodan is a theatre director, Emeritus Professor of Theatre, and was Vice-Principal and Director of Drama at the Royal Conservatoire of Scotland and Principal of Drama Centre London. He has published on topics of acting psychology, as well as the theory and practice of acting.
Inhaltsangabe
Acknowledgements A Note on Terminology Chapter One Introduction PART ONE The Idea of Character Chapter Two An Independent Character Chapter Three A Brief History of Type Chapter Four Friends for Life: Character and Literary Criticism Chapter Five The Drama of No Character PART TWO Transformations in Body and Mind Chapter Six Constructing the Character Chapter Seven Psychologies: I Trait, Type and Temperament Chapter Eight Psychologies: II Conflict and Energy Chapter Nine Psychologies: III Character on the Couch PART THREE The Melding of Actor and Character Chapter Ten Imagining the Character Chapter Eleven Experiencing the Character Chapter Twelve Deception, Self-Deception and the Transformative Actor Index
Acknowledgements A Note on Terminology Chapter One Introduction PART ONE The Idea of Character Chapter Two An Independent Character Chapter Three A Brief History of Type Chapter Four Friends for Life: Character and Literary Criticism Chapter Five The Drama of No Character PART TWO Transformations in Body and Mind Chapter Six Constructing the Character Chapter Seven Psychologies: I Trait, Type and Temperament Chapter Eight Psychologies: II Conflict and Energy Chapter Nine Psychologies: III Character on the Couch PART THREE The Melding of Actor and Character Chapter Ten Imagining the Character Chapter Eleven Experiencing the Character Chapter Twelve Deception, Self-Deception and the Transformative Actor Index
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