In Tourist Distractions Youngmin Choe uses Korean hallyu cinema as a lens to examine the importance of tourist films and film tourism in creating transnational bonds throughout East Asia and how they help Korea negotiate its twentieth-century history with the neoliberal present.
In Tourist Distractions Youngmin Choe uses Korean hallyu cinema as a lens to examine the importance of tourist films and film tourism in creating transnational bonds throughout East Asia and how they help Korea negotiate its twentieth-century history with the neoliberal present.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments ix Introduction. Distracted Attractions 1 Part I. Intimacy 1. Feeling Together: Pornography and Travel in Kazoku Cinema and Asako in Ruby Shoes 31 2. Affective Sites: Hur Jin-ho's April Snow and One Fine Spring Day 59 Part II. Amity 3. Provisional Feelings: The Making of Musa 89 4. Affective Palimpsests: Sudden Showers from Hwang Sun-won's "Sonagi" to Kwak Jae-yong and Andrew Lau's Daisy 112 Part III. Remembrance 5. Postmemory DMZ: Joint Security Area, Yesterday, and 2009 Lost Memories 143 6. Transient Monuments: Commemmorating and Memorializing in Taegukgi Korean War Film Tourism 166 Conclusion. K-hallyu: The Commodity Speaks in Kang Chul-woo's Romantic Island, Bae Yong-joon's A Journey in Search of Korea's Beauty, So Ji-sub's Road, and Choi Ji-woo's if 197 Notes 205 Bibliography 229 Index 241
Acknowledgments ix Introduction. Distracted Attractions 1 Part I. Intimacy 1. Feeling Together: Pornography and Travel in Kazoku Cinema and Asako in Ruby Shoes 31 2. Affective Sites: Hur Jin-ho's April Snow and One Fine Spring Day 59 Part II. Amity 3. Provisional Feelings: The Making of Musa 89 4. Affective Palimpsests: Sudden Showers from Hwang Sun-won's "Sonagi" to Kwak Jae-yong and Andrew Lau's Daisy 112 Part III. Remembrance 5. Postmemory DMZ: Joint Security Area, Yesterday, and 2009 Lost Memories 143 6. Transient Monuments: Commemmorating and Memorializing in Taegukgi Korean War Film Tourism 166 Conclusion. K-hallyu: The Commodity Speaks in Kang Chul-woo's Romantic Island, Bae Yong-joon's A Journey in Search of Korea's Beauty, So Ji-sub's Road, and Choi Ji-woo's if 197 Notes 205 Bibliography 229 Index 241
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