Examines the ideology of sacrifice in Soviet and post-Soviet culture, analyzing a range of fictional and real-life figures who became part of a pantheon of "heroes" primarily because of their victimhood.
Examines the ideology of sacrifice in Soviet and post-Soviet culture, analyzing a range of fictional and real-life figures who became part of a pantheon of "heroes" primarily because of their victimhood.
Introduction Werewolves Vampires and the "Sacred Wo/men" of Soviet Discourse in Pravda and beyond in the 1930s and 1940s Drawing Borders in the Sky: Pirates and Damsels in Distress of Aerial Hijackings in Soviet Press Literature and Film Our Man in Chile or Victor Jara's Posthumous Life in Soviet Media and Popular Culture Fathers Sons and the Imperial Spirit: The Wartime Homo Sacer's Competitive Victimhood Robber Baron or Dissident Intellectual: The Businessman Hero at the Crossroads of History Conclusion Notes Bibliography Index
Introduction Werewolves Vampires and the "Sacred Wo/men" of Soviet Discourse in Pravda and beyond in the 1930s and 1940s Drawing Borders in the Sky: Pirates and Damsels in Distress of Aerial Hijackings in Soviet Press Literature and Film Our Man in Chile or Victor Jara's Posthumous Life in Soviet Media and Popular Culture Fathers Sons and the Imperial Spirit: The Wartime Homo Sacer's Competitive Victimhood Robber Baron or Dissident Intellectual: The Businessman Hero at the Crossroads of History Conclusion Notes Bibliography Index
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