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  • Broschiertes Buch

We will find ourselves in a complex world of repetitions, reproductions, mirrors, copies, variations and reconstructions. A post-modern art playground, where the distance between citation and plagiarism is measured with one's own possibilities of shifting perspectives. As representatives of Homo Ludens, we will play with our perception and check how far one can go in (ab)using the pieces of the others without violating the copyrights. We will have glimpses of works from the famous Milwaukee Art Museum's exhibition "Cut film as found object in contemporary video" and look at the dance pieces of…mehr

Produktbeschreibung
We will find ourselves in a complex world of repetitions, reproductions, mirrors, copies, variations and reconstructions. A post-modern art playground, where the distance between citation and plagiarism is measured with one's own possibilities of shifting perspectives. As representatives of Homo Ludens, we will play with our perception and check how far one can go in (ab)using the pieces of the others without violating the copyrights. We will have glimpses of works from the famous Milwaukee Art Museum's exhibition "Cut film as found object in contemporary video" and look at the dance pieces of great conceptual choreographers - Jerome Bel and Xavier le Roy. STUNNING READ, "The Subverter" THE DAWN WILL FIND YOU STILL READING. BREATHLESS, Tomasz Obloj BEAUTIFUL, INSPIRING, CUTTING-EDGE, "Luther Blisset Voice"
Autorenporträt
agnieszka ryszkiewicz is a Polish performer and choreographer. She works between France and Austria and is busy with performative writing and dance fiction. Her works appear on stage, in her parisian appartement and in the corpus magazine.