More than singling out the fertility of a unique and indefatigable career, this chronological review of Garrett Stewart's critical approach serves to track and map the evolution of intersecting disciplines from late New Criticism through structuralism, deconstruction, psychopoetics, and the newer historicisms, all part of a burgeoning interdisciplinary spectrum in which Stewart's has been so persistent and so eloquent a voice. Excerpts from Stewart's 20 books are framed by editorial retrospect and overview before being linked by Stewart's own commentary on the variety - and underlying vectors…mehr
More than singling out the fertility of a unique and indefatigable career, this chronological review of Garrett Stewart's critical approach serves to track and map the evolution of intersecting disciplines from late New Criticism through structuralism, deconstruction, psychopoetics, and the newer historicisms, all part of a burgeoning interdisciplinary spectrum in which Stewart's has been so persistent and so eloquent a voice. Excerpts from Stewart's 20 books are framed by editorial retrospect and overview before being linked by Stewart's own commentary on the variety - and underlying vectors - of his interpretive career across media, from Victorian narrative to contemporary American fiction, classic celluloid cinema to contemporary digital effects, the painting of readers through the conceptual ironies of inert book sculpture, literary wordplay to the soundscape of singing on screen. Accompanied by a glossary of his many influential coinages, from "phonotext" to "prose friction," this cornucopia of eye-opening analyses is also a chronicle of evolving paradigms in the work of intensive reading.
Garrett Stewart is the James O. Freedman Professor of Letters at the University of Iowa, USA, having previously held teaching appointments at Boston University, the University of California at Santa Barbara, Stanford University, Princeton University, and the Universities of London (Queen Mary), Konstanz, and Fribourg (Switzerland). He is the author of 18 books, including Novel Violence (2009), which was awarded the Perkins Prize for the best book on narrative (International Society for the Study of Narrative), and Between Film and Screen (1999), which was a short-listed finalist for the Kraszna-Krausz Moving Image Book Award. In 2010 he was elected to the American Academy of Arts and Sciences.
Inhaltsangabe
An Introduction in Retrospect / David LaRocca Inventory as Itinerary / Garrett Stewart TexTcerpts / Garrett Stewart I. Dickens as Prompt Text 1 / Trials - and Test Sites Dickens and the Trials of Imagination (1974) 2 / Death Sentencing and Narrative Parole Death Sentences: Styling of Dying in British Fiction (1984) II. Reading In, Reading Out 3 / Literary Graphonics Reading Voices: Literature and the Phonotext (1990) 4 / Re: Reading Under Address Dear Reader: The Conscripted Audience in Nineteenth-Century British Fiction (1996) III. Discipline Bridging 5 / From Imprint to Motion Picture Between Film and Screen: Modernism's Photo Synthesis (1999) 6 / Pages Painted, Writing Withdrawn The Look of Reading: Book, Painting, Text (2006) 7 / From Celluloid to Digitime Framed Time: Toward a Postfilmic Cinema (2007) IV. Convergences: Mediation Revisited 8 / Mapping the Narrative Substrate Novel Violence: A Narratography of Victorian Fiction (2009) 9 / Reading Foreclosed/Text Reinvented Bookwork: Medium to Object to Concept to Art (2011) 10 / The Narrative Optics of Surveillancinema Closed Circuits: Screening Narrative Surveillance (2015) V. Medium, Philosophy, Concept 11 / Textual Act as Contract The Deed of Reading: Literature * Writing * Language * Philosophy (2015) 12 / Material Transference and Medial Merger Transmedium: Conceptualism 2.0 and the New Object Art (2017) VI. Reading Style/Styles of Reading 13 / Verbal Expenditures, Narrative Dividents The Value of Style in Fiction (2018) 14 / The Dickens Page, In and Out Loud The One, Other, and Only Dickens (2018) 15 / Bookhood in Evolution Book, Text, Medium: Cross-Sectional Reading for a Digital Age (2020) VII. Kinetic Textuality 16 / Cinemachination and the Legible Apparatus Cinemachines: An Essay on Media and Method (2020) 17 / Museum Screens Cinesthesia: Museum Cinema and the Curated Screen (2021) 18 / Toward a Cinematographic Sentence The Ways of the Word: Episodes in Verbal Attention (2022) VIII. Audiovisual Mirrors: Screening Text and Voice 19 / Reflex Reading The Metanarrative Hall of Mirrors: Reflex Action in Fiction and Film (2022) 20 / The Legible Voice Streisand: The Mirror of Difference (2023) IX. Audioptics X. Coverage A Dialogue on Critical Conversation Terms of Use: Coinagse Cashed Out - A Selective Glossary Timelines: A Topographical Bibliography Acknowledgments Contributors
An Introduction in Retrospect / David LaRocca Inventory as Itinerary / Garrett Stewart TexTcerpts / Garrett Stewart I. Dickens as Prompt Text 1 / Trials - and Test Sites Dickens and the Trials of Imagination (1974) 2 / Death Sentencing and Narrative Parole Death Sentences: Styling of Dying in British Fiction (1984) II. Reading In, Reading Out 3 / Literary Graphonics Reading Voices: Literature and the Phonotext (1990) 4 / Re: Reading Under Address Dear Reader: The Conscripted Audience in Nineteenth-Century British Fiction (1996) III. Discipline Bridging 5 / From Imprint to Motion Picture Between Film and Screen: Modernism's Photo Synthesis (1999) 6 / Pages Painted, Writing Withdrawn The Look of Reading: Book, Painting, Text (2006) 7 / From Celluloid to Digitime Framed Time: Toward a Postfilmic Cinema (2007) IV. Convergences: Mediation Revisited 8 / Mapping the Narrative Substrate Novel Violence: A Narratography of Victorian Fiction (2009) 9 / Reading Foreclosed/Text Reinvented Bookwork: Medium to Object to Concept to Art (2011) 10 / The Narrative Optics of Surveillancinema Closed Circuits: Screening Narrative Surveillance (2015) V. Medium, Philosophy, Concept 11 / Textual Act as Contract The Deed of Reading: Literature * Writing * Language * Philosophy (2015) 12 / Material Transference and Medial Merger Transmedium: Conceptualism 2.0 and the New Object Art (2017) VI. Reading Style/Styles of Reading 13 / Verbal Expenditures, Narrative Dividents The Value of Style in Fiction (2018) 14 / The Dickens Page, In and Out Loud The One, Other, and Only Dickens (2018) 15 / Bookhood in Evolution Book, Text, Medium: Cross-Sectional Reading for a Digital Age (2020) VII. Kinetic Textuality 16 / Cinemachination and the Legible Apparatus Cinemachines: An Essay on Media and Method (2020) 17 / Museum Screens Cinesthesia: Museum Cinema and the Curated Screen (2021) 18 / Toward a Cinematographic Sentence The Ways of the Word: Episodes in Verbal Attention (2022) VIII. Audiovisual Mirrors: Screening Text and Voice 19 / Reflex Reading The Metanarrative Hall of Mirrors: Reflex Action in Fiction and Film (2022) 20 / The Legible Voice Streisand: The Mirror of Difference (2023) IX. Audioptics X. Coverage A Dialogue on Critical Conversation Terms of Use: Coinagse Cashed Out - A Selective Glossary Timelines: A Topographical Bibliography Acknowledgments Contributors
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