Games with Shadows - Ascherson, Neal
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Beautifully written, intelligent and provocative reflections on the world scene as Ascherson looks first at the painful business of being English in a period of decline marked by public nastiness and private confusion. He goes on to attack - in an important and original series of arguments -the politics of 'Stonehenge': the UK's archaic and undemocratic constitution, and finally examines the temptations of state power in Mrs Thatcher's decade. Next, Ascherson takes us on a personal tour of Europe, 'the barbaric continent', exposing some ugly hatred and memories lurking beneath the cultured…mehr

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Produktbeschreibung
Beautifully written, intelligent and provocative reflections on the world scene as Ascherson looks first at the painful business of being English in a period of decline marked by public nastiness and private confusion. He goes on to attack - in an important and original series of arguments -the politics of 'Stonehenge': the UK's archaic and undemocratic constitution, and finally examines the temptations of state power in Mrs Thatcher's decade. Next, Ascherson takes us on a personal tour of Europe, 'the barbaric continent', exposing some ugly hatred and memories lurking beneath the cultured surface; he writes movingly about the courage and sacrifice that nations at their best can draw out. His meditations on Eastern Europe, 'Waltzing With Molotov', are exemplary for their critical sympathy. In the book's final section, a vivid and memorable collection of sectarians, spies, traitors, heroes, monsters and victims reveals a lot about fear and hope in the closing years of this dangerous century.
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Autorenporträt
Charles Neal Ascherson (born October 5, 1932) is a Scottish journalist and writer. He was born in Edinburgh and educated at Eton and King's College, Cambridge, where he read history. He was described by the historian Eric Hobsbawm as "perhaps the most brilliant student I ever had. I didn't really teach him much, I just let him get on with it." After graduating with a starred First, he declined offers to pursue an academic career. Instead, he chose a career in journalism, first at the Manchester Guardian and then at The Scotsman (1959-1960), The Observer (1960-1990) and the Independent on Sunday (1990-1998). He contributed scripts for the 1974 documentary series World at War and the 1998 series The Cold War. In recent years, he has also been a regular contributor to the London Review of Books.