
A JOURNEY BETWEEN THE REAL WORLD AND THE REALM OF DREAMS
AN ANALYSIS OF NAZLI ERAY¿S MAGICAL REALIST WORKS AS POSTMODERN GENRE
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Despite the fact that most critics handle magical realism in relation to postcolonialism, as is seen in the examples of Gabriel García Márquez, and Salman Rushdie for instance; Nazli Eray's works stand at a point where magical realism and postmodernism intersect. Therefore, this study focuses on magical realism in relation to its affinity to postmodernism. In accordance with it, the book includes a textual and technical reading and analysis of the selected texts by Nazli Eray, namely the two novels called Love Does Not Live Here Any Longer (Dogan Egmont, 2013) and The Mystery of the Frej Apa...
Despite the fact that most critics handle magical realism in relation to postcolonialism, as is seen in the examples of Gabriel García Márquez, and Salman Rushdie for instance; Nazli Eray's works stand at a point where magical realism and postmodernism intersect. Therefore, this study focuses on magical realism in relation to its affinity to postmodernism. In accordance with it, the book includes a textual and technical reading and analysis of the selected texts by Nazli Eray, namely the two novels called Love Does Not Live Here Any Longer (Dogan Egmont, 2013) and The Mystery of the Frej Apartment (Everest Publishing, 2018). That means the real and the magical are dealt with in relation to their connections to the ontological properties, rather than their anthropological connections or their relation to extra-textual context. Thus, ontology is privileged over anthropology and text over context.