Simon Bayly

A Pathognomy of Performance

• Gebundenes Buch

Produktbeschreibung

Exploring the themes of the event, ephemerality and democracy that mark the encounter between performance and philosophy, this original study elaborates fresh perspectives on the experiences of undoing, fiasco and disaster that shadow both the both stage and everyday life.

Produktdetails

• Verlag: Palgrave Macmillan / Palgrave Macmillan UK / Springer Palgrave Macmillan
• Artikelnr. des Verlages: 978-0-230-27169-2
• 2011
• Seitenzahl: 246
• Erscheinungstermin: 8. Februar 2011
• Englisch
• Abmessung: 218mm x 140mm x 23mm
• Gewicht: 448g
• ISBN-13: 9780230271692
• ISBN-10: 0230271693
• Artikelnr.: 32463488

Autorenporträt

SIMON BAYLY artist and writer working broadly in the field of performance. He is a Principal Lecturer in Drama, Theatre and Performance at Roehampton University, where he teaches on the MA in Performance and Creative Research. Since 1992, he has directed the London-based live arts company PUR.

Inhaltsangabe

List of Illustrations Acknowledgements Introduction Strains of Thought Points of Suspension Instants of Affection Anomalous Appearances The Borrowed Masks of Being Logics of Expression Wrinkles, Furrows and Folds The Tonic of the Sonic Deleted Expletives Peals of Appeal Bibliography Index

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List of Illustrations Acknowledgements Introduction Strains of Thought Points of Suspension Instants of Affection Anomalous Appearances The Borrowed Masks of Being Logics of Expression Wrinkles, Furrows and Folds The Tonic of the Sonic Deleted Expletives Peals of Appeal Bibliography Index

Rezensionen

'A book that asks the questions about performance that come before the commonly asked is a book that approaches a theatre philosophy. If such a thing were not a contradiction in terms Simon Bayly's A Pathognomy of Performance would provide us with the exemplary exception we have been waiting for.' - Alan Read, Professor of Theatre, King's College London, UK

'What this book offers on the study of the fleeting and transcendent is ultimately highly substantial, as well as provocative and wholly scholarly...' -Journal of Theatre Research International