Artistic Practices and Television in the Digital Age
An Analytical and Comparative Study of the Production of Feature Programs on TV Channels in CAMEROON
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The present work entitled artistic practices and television in Cameroon in the digital era thus starts from the observation that the offer of programs on artistic practices is very weak in quantity and quality. However, with the advantages offered by digital technology, artistic talents should not suffer from a lack of visibility. This situation does not allow us to explore at best the potentialities of the artistic masterpieces we possess in order to sell them on the international scene. This is a danger, especially since a society daily invaded by images foreign to its collective memory lose...
The present work entitled artistic practices and television in Cameroon in the digital era thus starts from the observation that the offer of programs on artistic practices is very weak in quantity and quality. However, with the advantages offered by digital technology, artistic talents should not suffer from a lack of visibility. This situation does not allow us to explore at best the potentialities of the artistic masterpieces we possess in order to sell them on the international scene. This is a danger, especially since a society daily invaded by images foreign to its collective memory loses little by little its reference points, its own destiny. The work, distributed on three axes, aims in the first part to demonstrate that few television channels devote specific programs to the living arts, plastic and photography as they do with politics and sport, because of the ignorance of the potentialities that would abound in artistic practices in terms of content on the one hand, andto what we called the "tendency following" on the other hand. In the second part, we were able to create 28 program synopses.
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