Introduction; 1. Diderot's Paradoxe and C. P. E. Bach's Empfindungen Richard Kramer; 2. Dark fantasies and the dawn of the self: Gerstenberg's monologues for C. P. E. Bach's C Minor Fantasia Tobias Plebuch; 3. Sources of C. P. E. Bach's solo keyboard works in the Sing-Akademie archives Darrell M. Berg; 4. Reason and revelation in C. P. E. Bach's Resurrection Oratorio Richard Will; 5. C. P. E. Bach and C. C. Sturm: sacred song, public church service, and private devotion Ulrich Leisinger; 6. An enduring moment: C. P. E. Bach and the musical sublime Annette Richards; 7. C. P. E. Bach and the living traditions of learned counterpoint David Yearsley; 8. Plates for sale: C. P. E. Bach and the story of Die Kunst der Fuge David Ferris; 10. 'Our old great favourite': Burney, Bach and the Bachists Christopher Hogwood.
Introduction; 1. Diderot's Paradoxe and C. P. E. Bach's Empfindungen Richard Kramer; 2. Dark fantasies and the dawn of the self: Gerstenberg's monologues for C. P. E. Bach's C Minor Fantasia Tobias Plebuch; 3. Sources of C. P. E. Bach's solo keyboard works in the Sing-Akademie archives Darrell M. Berg; 4. Reason and revelation in C. P. E. Bach's Resurrection Oratorio Richard Will; 5. C. P. E. Bach and C. C. Sturm: sacred song, public church service, and private devotion Ulrich Leisinger; 6. An enduring moment: C. P. E. Bach and the musical sublime Annette Richards; 7. C. P. E. Bach and the living traditions of learned counterpoint David Yearsley; 8. Plates for sale: C. P. E. Bach and the story of Die Kunst der Fuge David Ferris; 10. 'Our old great favourite': Burney, Bach and the Bachists Christopher Hogwood.
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