Analyzes the key role that the production of "folkloric" music, dance, and drama has had in the formation of ethnic/racial identities, regionalism, and nationalism in Cuzco, Peru during the twentieth century.
Analyzes the key role that the production of "folkloric" music, dance, and drama has had in the formation of ethnic/racial identities, regionalism, and nationalism in Cuzco, Peru during the twentieth century.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of Illustrations ix Preface to the English Edition xi Acknowledgments xiii Introduction: Revisiting Indigenismo and Folklore 1 1. The Misión Peruana de Arte Incaico and the Development of Artistic-Folkloric Production in Cuzco 17 2. The Rise of Cultural Institutions and Contests 35 3. Touristic Cuzco, Its Monuments, and Its Folkore 65 4. La Hora del Charango: The Cholo Feeling, Cuzqueñoness, and Peruvianness 93 5. Creative Effervescence and the Consolidation of Spaces for "Folklore" 125 Epilogue: Who Will Represent What Is Our Own? Some Paradoxes of Andean Folklore Both Inside and Outside Peru 169 Notes 183 Discography 219 Bibliography 221 Index 229
List of Illustrations ix Preface to the English Edition xi Acknowledgments xiii Introduction: Revisiting Indigenismo and Folklore 1 1. The Misión Peruana de Arte Incaico and the Development of Artistic-Folkloric Production in Cuzco 17 2. The Rise of Cultural Institutions and Contests 35 3. Touristic Cuzco, Its Monuments, and Its Folkore 65 4. La Hora del Charango: The Cholo Feeling, Cuzqueñoness, and Peruvianness 93 5. Creative Effervescence and the Consolidation of Spaces for "Folklore" 125 Epilogue: Who Will Represent What Is Our Own? Some Paradoxes of Andean Folklore Both Inside and Outside Peru 169 Notes 183 Discography 219 Bibliography 221 Index 229
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