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Cultural artefacts, such as those kept and trafficked between art dealers, private collectors and museums, have increasingly become localized in a â Bermuda triangleâ of colonialism, looting and the art (black) market, with their re-emergence resulting in disputes about ownership and claims for return. Taking the 1970 UNESCO Convention on the Means

Produktbeschreibung
Cultural artefacts, such as those kept and trafficked between art dealers, private collectors and museums, have increasingly become localized in a â Bermuda triangleâ of colonialism, looting and the art (black) market, with their re-emergence resulting in disputes about ownership and claims for return. Taking the 1970 UNESCO Convention on the Means
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Autorenporträt
Brigitta Hauser-Schäublin is Professor of Anthropology at the University of Göttingen, Germany. Lyndel V. Prott is an Honorary Professor at the University of Queensland, Australia. She was previously Professor of Cultural Heritage Law at the University of Sydney, Australia, and the former Director of UNESCO's Division of Cultural Heritage.