What is art; why should we value it; and what allows us to say that one work is better than another? Paul Crowther uses a philosophical approach to argue that there is such a thing as distinctively artistic value based on aesthetic criteria. He exposes flaws in the arguments of sceptics for whom there can be no such thing as objectively good art.
What is art; why should we value it; and what allows us to say that one work is better than another? Paul Crowther uses a philosophical approach to argue that there is such a thing as distinctively artistic value based on aesthetic criteria. He exposes flaws in the arguments of sceptics for whom there can be no such thing as objectively good art.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Paul Crowther is Professor of Philosophy and the Visual Arts at Jacobs University Bremen in Germany.
Inhaltsangabe
Introduction: Normative Aesthetics and Artistic Value Part One: Culture and Artistic Value 1: Cultural Exclusion and the Definition of Art 2: Defining Art, Defending the Canon, Contesting Culture Part Two: The Aesthetic and the Artistic 3: From Beauty to Art; Developing Kant's Aesthetics 4: The Scope and Value of the Artistic Image Part Three: Distinctive Modes of Imaging 5: Twofoldness: Pictorial Art and the Imagination 6: Between Language and Perception: Literary Metaphor 7: Musical Meaning and Value 8: Eternalizing the Moment: Artistic Projections of Time Conclusion - The Status and Future of Art
Introduction: Normative Aesthetics and Artistic Value Part One: Culture and Artistic Value 1: Cultural Exclusion and the Definition of Art 2: Defining Art, Defending the Canon, Contesting Culture Part Two: The Aesthetic and the Artistic 3: From Beauty to Art; Developing Kant's Aesthetics 4: The Scope and Value of the Artistic Image Part Three: Distinctive Modes of Imaging 5: Twofoldness: Pictorial Art and the Imagination 6: Between Language and Perception: Literary Metaphor 7: Musical Meaning and Value 8: Eternalizing the Moment: Artistic Projections of Time Conclusion - The Status and Future of Art
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