Fictions of Fact and Value looks at logical positivism's major influence on the development of postwar American fiction, charting a literary and philosophical genealogy that has been absent from criticism on the American novel since 1945.
Fictions of Fact and Value looks at logical positivism's major influence on the development of postwar American fiction, charting a literary and philosophical genealogy that has been absent from criticism on the American novel since 1945.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Michael LeMahieu is Associate Professor of English at Clemson University.
Inhaltsangabe
* Introduction * "Postwar Fiction, the Fact/Value Problem, and the Literary Response to Logical Positivism" * Chapter One * "Indigestible Residues" * Ludwig Wittgenstein, Aesthetic Negativism, and the Incompleteness of Logical Positivism * Chapter Two * "Negative Appearance" * Flannery O'Connor, the Fact/Value Problem, and the Threat of Logical Positivism * Chapter Three * "Contradictory Feelings" * John Barth, Non-Mystical Value-Thinking, and the Exhaustion of Logical Positivism * Chapter Four * "Eternal Things" * Saul Bellow, the Infinite Longings of the Soul, and the Shortcomings of Logical Positivism * Chapter Five * "Illogical Negativism" * Thomas Pynchon, the Critique of Modernism, and the Erasure of Logical Positivism
* Introduction * "Postwar Fiction, the Fact/Value Problem, and the Literary Response to Logical Positivism" * Chapter One * "Indigestible Residues" * Ludwig Wittgenstein, Aesthetic Negativism, and the Incompleteness of Logical Positivism * Chapter Two * "Negative Appearance" * Flannery O'Connor, the Fact/Value Problem, and the Threat of Logical Positivism * Chapter Three * "Contradictory Feelings" * John Barth, Non-Mystical Value-Thinking, and the Exhaustion of Logical Positivism * Chapter Four * "Eternal Things" * Saul Bellow, the Infinite Longings of the Soul, and the Shortcomings of Logical Positivism * Chapter Five * "Illogical Negativism" * Thomas Pynchon, the Critique of Modernism, and the Erasure of Logical Positivism
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