In ten new essays on a selection of vital canonical films, contributors chart, explore, and advance the ways in which metacinema is at once a mode of filmmaking and a heuristic for studying cinematic attributes.
In ten new essays on a selection of vital canonical films, contributors chart, explore, and advance the ways in which metacinema is at once a mode of filmmaking and a heuristic for studying cinematic attributes.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
David LaRocca is the author, editor, or co-editor of twelve books, including The Thought of Stanley Cavell and Cinema, The Philosophy of Documentary Film, The Philosophy of War Films, and The Philosophy of Charlie Kaufman. He has contributed book chapters on Werner Herzog, Terrence Malick, Michael Mann, Sofia Coppola, Casey Affleck, Kelly Reichardt, Errol Morris, Rithy Panh, Christopher Nolan, Spike Lee, Joel and Ethan Coen, Steven Spielberg, Robert Zemeckis, Tim Burton, and Charlie Kaufman. His articles have appeared in Afterimage, Conversations, Epoché, Estetica, Liminalities, Post Script, Transactions, Film and Philosophy, The Senses and Society, The Midwest Quarterly, Journalism, Media and Cultural Studies, The Journal of Aesthetic Education, and The Journal of Aesthetics and Art Criticism. As a documentary filmmaker, he produced and edited six features in The Intellectual Portrait Series, directed Brunello Cucinelli: A New Philosophy of Clothes, and codirected New York Photographer: Jill Freedman in the City. He was Harvard's Sinclair Kennedy Traveling Fellow in the United Kingdom and participated in an NEH Institute, a workshop with Abbas Kiarostami, Werner Herzog's Rogue Film School, and the School of Criticism and Theory at Cornell. He has taught philosophy and cinema and held visiting research and teaching positions at Binghamton, Cornell, Cortland, Harvard, Ithaca College, and Vanderbilt.
Inhaltsangabe
* List of Contributors * Foreword * The Cinematic Question: "What Do You Want From Me?" * Robert B. Pippin * Introduction * An Invitation to the Varieties and Virtues of "Meta-ness" in the Art and Culture of Film * David LaRocca * Part I. Conceptual and Theoretical Reorientation to Metacinema * 1. Cinematic Self-Consciousness in Hitchcock's Rear Window * Robert B. Pippin * 2. Adaptations, Refractions, and Obstructions: The Prophecies of André Bazin * Timothy Corrigan * 3. A Metacinematic Spectrum: Technique Through Text to Context * Garrett Stewart * 4. Recursive Reflections: Types, Modes, and Forms of Cinematic Reflexivity * Daniel Yacavone * 5. Méliès, Astruc, and Scorsese: Authorship, Historiography, and Videographic Styles * Eleni Palis * Part II. Illumination from the Duplications and Repetitions of Reflexive Cinema * 6. 8 ¿: Self-Reflexive Fiction and Mental Training * Joshua Landy * 7. Clouds of Sils Maria: True Characters and Fictional Selves in the Construction of Filmic Identities * Laura T. Di Summa * 8. Holy Motors: Metameditation on Digital Cinema's Present and Future * Ohad Landesman * Part III. Affectivity and Embodiment in Metanarratives * 9. Fight Club: Enlivenment, Love, and the Aesthetics of Violence in the Age of Trump * J. M. Bernstein * 10. Funny Games: Film, Imagination, and Moral Complicity * Paul Schofield * 11. Shoah: Art as Visualizing What Cannot Be Grasped * Shoshana Felman * Part IV. Metadocumentary, Experimental Film, and Animation * 12. The Act of Killing: Empathy, Morality, and Reenactment * Thomas E. Wartenberg * 13. Waltz with Bashir's Animated Traces: Troubled Indexicality in Contemporary Documentary Rhetorics * Yotam Shibolet * 14. Alone., Again: On Martin Arnold's Metaformal Invention by Intervention * David LaRocca * Acknowledgments * Index
* List of Contributors * Foreword * The Cinematic Question: "What Do You Want From Me?" * Robert B. Pippin * Introduction * An Invitation to the Varieties and Virtues of "Meta-ness" in the Art and Culture of Film * David LaRocca * Part I. Conceptual and Theoretical Reorientation to Metacinema * 1. Cinematic Self-Consciousness in Hitchcock's Rear Window * Robert B. Pippin * 2. Adaptations, Refractions, and Obstructions: The Prophecies of André Bazin * Timothy Corrigan * 3. A Metacinematic Spectrum: Technique Through Text to Context * Garrett Stewart * 4. Recursive Reflections: Types, Modes, and Forms of Cinematic Reflexivity * Daniel Yacavone * 5. Méliès, Astruc, and Scorsese: Authorship, Historiography, and Videographic Styles * Eleni Palis * Part II. Illumination from the Duplications and Repetitions of Reflexive Cinema * 6. 8 ¿: Self-Reflexive Fiction and Mental Training * Joshua Landy * 7. Clouds of Sils Maria: True Characters and Fictional Selves in the Construction of Filmic Identities * Laura T. Di Summa * 8. Holy Motors: Metameditation on Digital Cinema's Present and Future * Ohad Landesman * Part III. Affectivity and Embodiment in Metanarratives * 9. Fight Club: Enlivenment, Love, and the Aesthetics of Violence in the Age of Trump * J. M. Bernstein * 10. Funny Games: Film, Imagination, and Moral Complicity * Paul Schofield * 11. Shoah: Art as Visualizing What Cannot Be Grasped * Shoshana Felman * Part IV. Metadocumentary, Experimental Film, and Animation * 12. The Act of Killing: Empathy, Morality, and Reenactment * Thomas E. Wartenberg * 13. Waltz with Bashir's Animated Traces: Troubled Indexicality in Contemporary Documentary Rhetorics * Yotam Shibolet * 14. Alone., Again: On Martin Arnold's Metaformal Invention by Intervention * David LaRocca * Acknowledgments * Index
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