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  • Produktbild: Music and Identity in Twenty-First-Century Monasticism
  • Produktbild: Music and Identity in Twenty-First-Century Monasticism

Music and Identity in Twenty-First-Century Monasticism

Aus der Reihe Routledge Research in Music

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

20.10.2023

Abbildungen

13 SW-Abb., 13 SW-Fotos, 1 Tabellen

Verlag

Taylor & Francis

Seitenzahl

184

Maße (L/B/H)

24/16,1/1,5 cm

Gewicht

446 g

Sprache

Englisch

ISBN

978-1-03-244178-8

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

20.10.2023

Abbildungen

13 SW-Abb., 13 SW-Fotos, 1 Tabellen

Verlag

Taylor & Francis

Seitenzahl

184

Maße (L/B/H)

24/16,1/1,5 cm

Gewicht

446 g

Sprache

Englisch

ISBN

978-1-03-244178-8

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Music and Identity in Twenty-First-Century Monasticism
  • Produktbild: Music and Identity in Twenty-First-Century Monasticism

  • INTRODUCTION

    CURRENT LITERATURE

    ABOUT THE AUTHOR

    TERMINOLOGY

    Chant

    Modal language

    Monastic Life

    WORKS CITED

    1. CONFLICT AND REPARATION: THE AGENCY OF MUSIC IN MODERN MONASTIC COMMUNITY DYNAMICS

    INTRODUCTION

    JOINING A COMMUNITY

    COMMUNITY BONDING

    SOLIDARITY

    EMOTIONAL EXPRESSION

    ELITISM AND EXCLUSION

    CONFLICT AND REPARATION

    CONCLUSION

    NOTES

    WORKS CITED

    2. NEW DIRECTIONS: ENCODING MONASTIC IDENTITY THROUGH MUSICAL COMPOSITION

    INTRODUCTION

    COMPOSITION: CHANTS OLD AND NEW

    Drawing on the canon. Case study: 1: Fr John-Julian OJN and Sr Cornelia OJN

    ADAPTATION OR COMPOSITION?

    Breaking the rules. Case study 2: Sr Cintra Pemberton OSH

    Responding to new texts. Case study 3: Sr Mary Gregory OSB

    MUSICAL INFLUENCES

    TONALITY VERSUS MODALITY

    APPROPRIATENESS

    Reception within Community

    Reception beyond Community

    NOTATIONAL ENCODING

    CONCLUSION

    NOTES

    WORKS CITED

    3. DEAD TO THE WORLD: NEGOTIATING PERSONAL AND MONASTIC IDENTITY THROUGH INSTRUMENTAL AND RECREATIONAL MUSIC

    INTRODUCTION

    ACCOMPLISHED SECULAR MUSICIANS

    INSTRUMENTAL USE IN WORSHIP

    Accompanying instruments

    Melodic instruments

    ASSOCIATION AND ALLEGORISATION

    RECONTEXTUALISATION

    INSTRUMENTAL MUSIC AS RITUAL

    MEDIUM OR MESSAGE?

    MUSIC FOR RECREATION

    CONCLUSION

    NOTES

    WORKS CITED

    4. DANCING MY PRAYER, DANCING MY SELF: EMBODIED AND PERFORMED IDENTITY

    INTRODUCTION

    DANCING IN A WORSHIP CONTEXT

    Who Dances?

    Which Dances?

    Why Dance?

    Why Not Dance?

    DANCE AS OUTREACH

    Reception within Community

    Reception beyond Community

    Efficacy in embodying 'felt' interiority

    CONCLUSION

    NOTES

    WORKS CITED

    5. A THIRD GENDER?: EXPRESSION OF GENDER IDENTITY IN CELIBATE MONASTICISM THROUGH WORDS AND MUSIC

    INTRODUCTION

    GENDER ISSUES IN MUSICAL COMPOSITION

    Textual themes and imagery

    Sexuality and relationships

    Creativity and Procreativity Metaphors

    Textual Response

    EVALUATION AND RECEPTION

    CONCLUSION

    NOTES

    WORKS CITED

    6. BUYING INTO THE MONASTIC EXPERIENCE: MUSICAL COMMODIFICATION

    INTRODUCTION

    MONASTICS AND COMMERCE

    MONASTIC MUSIC AND AUTHENTICITY

    PRAYER OR PERFORMANCE?

    MUSIC AS PRODUCT

    Marketing the Chant

    PRODUCT AUTHENTICITY

    The Benedictines of Mary, Queen of Apostles

    The Community of the Resurrection

    The Brothers of the Society of St John the Evangelist

    MEDIUM OR MESSAGE?

    CONCLUSION

    NOTES

    WORKS CITED

    7. THE SINGING NUN PHENOMENON: GOING SOLO ON THE WORLD STAGE

    INTRODUCTION

    CASE STUDIES

    Sister Jeanne Decker

    Sr Janet Mead

    Brother Alessandro Brustenghi

    Sister Cristina Scuccia

    DISCUSSION

    Disembodied and embodied voices

    "Are You for Real?" Appearance and Authenticity

    Naming and Identity

    Critical Reception - voice and singing style

    Choice of musical content

    Leading a Double Life

    The Power of Song

    Monasticism and the Common Good

    CONCLUSION

    NOTES

    WORKS CITED

    8. FORGING AN ANGLICAN MUSICAL IDENTITY

    INTRODUCTION

    HISTORICAL BACKGROUND

    MUSICAL DEVELOPMENT

    MUSICAL SETTINGS

    The English Tradition

    Establishing a Chant Tradition

    An English Plainchant Tradition

    DISCUSSION

    CONCLUSION

    NOTES

    WORKS CITED

    9. FRESH EXPRESSIONS: MUSIC IN NEO-MONASTIC COMMUNITIES

    INTRODUCTION

    FORMS OF NEO-MONASTICISM

    EXAMPLES OF EMERGING NEO-MONASTIC COMMUNITIES

    ESTABLISHED COMMUNITIES WITH A STRONG MUSICAL TRADITION

    Iona Community

    Taizé Community

    THE PLACE OF MUSIC IN OTHER NEO-MONASTIC COMMUNITIES

    Hilfield Community

    Scargill Community, Yorkshire

    St. Anselm Community

    Community of Aidan and Hilda

    DISCUSSION

    Proximity

    Influential Individuals

    Musical gifts within Community

    The Call to Tradition

    Musical Identity: Developing a Community Voice

    Permanence and Durability

    Boundary Clarity and Personal Identity

    CONCLUSION

    NOTES

    WORKS CITED

    CONCLUSION

    INDEX