Ornament of the Great Vehicle Sutras
Maitreya's Mahayanasutralamkara with Commentaries by Khenpo Shenga and Ju Mipham
Kommentar: Mipham, Jamgon; Shenga, Khenpo / Übersetzer: Dharmachakra Translation Committee
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This new translation of one of the most important texts of Mahayana Buddhism makes a clear case for why we should strive energetically to achieve the unsurpassable state of enlightenment for the sake of all sentient beings, and having formed that intention, how we should practice the bodhisattva path. The Buddhist masterpiece Ornament of the Great Vehicle Sutras, often referred to by its Sanskrit title, Mahayanasutralaṃkara, is part of a collection known as the Five Maitreya Teachings, a set of philosophical works that have become classics of the Indian Buddhist tradition. Maitreya, the Budd...
This new translation of one of the most important texts of Mahayana Buddhism makes a clear case for why we should strive energetically to achieve the unsurpassable state of enlightenment for the sake of all sentient beings, and having formed that intention, how we should practice the bodhisattva path. The Buddhist masterpiece Ornament of the Great Vehicle Sutras, often referred to by its Sanskrit title, Mahayanasutralaṃkara, is part of a collection known as the Five Maitreya Teachings, a set of philosophical works that have become classics of the Indian Buddhist tradition. Maitreya, the Buddha's regent, is held to have entrusted these profound and vast instructions to the master Asaṅga in the heavenly realm of Tusita. The Ornament provides a comprehensive description of the bodhisattva's view, meditation, and enlightened activities. Bodhisattvas are beings who, out of vast love for all sentient beings, have dedicated themselves to the task of becoming fully awakened buddhas, capable of helping all beings in innumerable and vast ways to become enlightened themselves. To fully awaken requires practicing great generosity, patience, energy, discipline, concentration, and wisdom, and Maitreya's text explains what these enlightened qualities are and how to develop them. This volume includes commentaries by Khenpo Shenga and Ju Mipham, whose discussions illuminate the subtleties of the root text and provide valuable insight into how to practice the way of the bodhisattva. Drawing on the Indian masters Vasubandhu and, in particular, Sthiramati, Mipham explains the Ornament with eloquence and brilliant clarity. This commentary is among his most treasured works.
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