Merkzettel Warenkorb
  • Produktbild: Oxford Handbook of Sound and Image in Digital Media
  • Produktbild: Oxford Handbook of Sound and Image in Digital Media

Oxford Handbook of Sound and Image in Digital Media

Aus der Reihe Oxford Handbooks

79,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Lieferung nach Hause

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.08.2015

Herausgeber

Vernallis Carol + weitere

Verlag

Oxford University Press

Seitenzahl

834

Maße (L/B/H)

24,4/17/4,4 cm

Gewicht

1315 g

Sprache

Englisch

ISBN

978-0-19-025817-7

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.08.2015

Herausgeber

Verlag

Oxford University Press

Seitenzahl

834

Maße (L/B/H)

24,4/17/4,4 cm

Gewicht

1315 g

Sprache

Englisch

ISBN

978-0-19-025817-7

Herstelleradresse

Produktsicherheitsverantwortliche/r
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

Noch keine Bewertungen vorhanden

Verfassen Sie die erste Bewertung zu diesem Artikel

Helfen Sie anderen Kundinnen und Kunden durch Ihre Meinung.

Kundinnen und Kunden meinen

Bewertungen (0)
  • Produktbild: Oxford Handbook of Sound and Image in Digital Media
  • Produktbild: Oxford Handbook of Sound and Image in Digital Media

    • Introduction:

    • 1. Carol Vernallis and Amy Herzog

    • Cinema in the Realm of the Digital: Foundational Approaches

    • 2. Thomas Elsaesser, Digital Cinema: Convergence or Contradiction?

    • 3. Jean-Pierre Geuens, Angels of Light

    • 4. William Whittington, Lost in Sensation-Reevaluating the Role of Cinematic Sound in the Digital Age

    • Dialogue: Screens and Spaces

    • 5. Sean Cubitt, Large Screens, Third Screens, Virtuality and Innovation"

    • 6. Will Straw, Public Screens and Urban Life"

    • Glitches, Noise, and Interruption: Materiality and Digital Media

    • 7. Laura U. Marks, A Noisy Brush with the Infinite: Noise in Enfolding-Unfolding Aesthetics"

    • 8. Lisa Coulthard, Dirty Sound: Haptic Noise in New Extremism"

    • 9. Caetlin Benson-Allott, "Going Gaga for Glitch: Digital Failure @nd Feminist Spectacle in Twenty-F1rst Century Music Video"

    • 10. Joanna Demers, "Discursive Accents in Some Recent Digital Media Works"

    • 11. Melissa Ragona, "Doping the Voice"

    • Uncanny Spaces and Acousmatic Voices

    • 12. William Cheng, "Monstrous Noise: Silent Hill and the Aesthetic Economies of Fear"

    • >"

    • 14. George Toles, "A Gash in the Portrait: Martin Arnold's Deanimated"

    • 15. Warren Buckland, "The Acousmatic Voice and Metaleptic Narration in Inland Empire"

    • Dialogue: Visualization and Sonification

    • 16. Lev Manovich, "Visualization Methods for Media Studies"

    • 17. Jake Smith, "Explorations in Cultureson"

    • Virtual Worlds, Paranoid Structures, and States of War

    • 18. Dale Chapman, "Music and the State of Exception in Alfonso Cuarón's Children of Men"

    • 19. Matthew Sumera, "Understanding the Pleasures of War's Audiovision"

    • 20. James Buhler and Alex Newton, "Outside the Law of Action: Music and Sound in the Bourne Trilogy"

    • 21. Eleftheria Thanouli, "Debating the Digital: Film and Reality in Barry Levinson's Wag the Dog"

    • 22. Theo Cateforis, "Between Artifice and Authenticity: Music and Media in Wag the Dog"

    • Blockbusters! Franchises, Remakes, and Intertextual Practices

    • 23. Jessica Aldred, "'I Am Beowulf! Now, It's Your Turn': Playing With (And As) the Digital Convergence Character"

    • 24. Carol Donelan and Ron Rodman, "Lion and Lambs: Industry-Audience Negotiations in the Twilight Saga Franchise"

    • 25. Aylish Wood, "Sonic Times in Watchmen and Inception"

    • 26. Miguel Mera, "Inglo(u)rious Basterdization? Tarantino and the War Movie Mashup"

    • Dialogue: De-Coding Source Code

    • 27. Garrett Stewart, "Sound Thinking: Looped Time, Duped Track"

    • 28. Sean Cubitt, "Source Code: Eco-Criticism and Subjectivity"

    • 29. James Buhler, "Notes to Source Code's Soundtrack"

    • Rethinking Audiovisual Embodiment

    • 30. Kiri Miller, "Virtual and Visceral Experience in Music-Oriented Videogames"

    • 31. David McCarthy and María Zuazu, "A Gaga-World Pageant: Channeling Difference and the Performance of Networked Power"

    • 32. Paul Morris and Susanna Paasonen, "Coming to Mind: Pornography and the Mediation of Intensity"

    • Sounds and Images of the New Digital Documentary

    • 33. John Belton, "The World in the Palm of Your Hand: Agnes Varda, Trinh T. Minh-ha, and the Digital Documentary"

    • 34. Selmin Kara, "The Sonic Summons: Meditations on Nature and Anempathetic Sound in Digital Documentaries"

    • 35. Jennifer Peterson, "Workers Leaving the Factory: Witnessing Industry in the Digital Age"

    • Modes of Composition: Digital Convergence and Sound Production

    • 36. Eric Lyon, "The Absent Image in Electronic Music"

    • 37. Jann Pasler, "Hugues Dufourt's Cinematic Dynamism: Space, Timbre, and Time in L'Afrique d'après Tiepolo"

    • 38. Ron Sadoff, "Scoring for Film and Video Games: Collaborative Practices and Digital Post-Production"

    • 39. Nicola Dibben, "Visualising the App Album with Björk's Biophilia"

    • Digital Aesthetics Across Platform and Genre

    • 40. Carol Vernallis, "Accelerated Aesthetics: a New Lexicon of Time, Space and Rhythm"

    • 41. Jay Beck, "Acoustic Auteurs and Transnational Cinema"

    • 42. Allan Cameron, "Instrumental Visions: Electronica, Music Video, and the Environmental Interface"

    • Index