Performance and Authenticity in the Arts
Herausgeber: Gaskell, Ivan; Kemal, Salim
Performance and Authenticity in the Arts
Herausgeber: Gaskell, Ivan; Kemal, Salim
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These essays investigate the complex and developing interaction between performance and authenticity in the arts.
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These essays investigate the complex and developing interaction between performance and authenticity in the arts.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 286
- Erscheinungstermin: 30. Juni 2010
- Englisch
- Abmessung: 229mm x 152mm x 17mm
- Gewicht: 468g
- ISBN-13: 9780521147439
- ISBN-10: 0521147433
- Artikelnr.: 31187767
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Cambridge University Press
- Seitenzahl: 286
- Erscheinungstermin: 30. Juni 2010
- Englisch
- Abmessung: 229mm x 152mm x 17mm
- Gewicht: 468g
- ISBN-13: 9780521147439
- ISBN-10: 0521147433
- Artikelnr.: 31187767
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
List of contributors; Editor's acknowledgements; 1. Performance and
authenticity Salim Kemal and Ivan Gaskell; Part I. Performance, Religion,
and Authenticity: 2. The Poetics of performance: the necessity of
spectacle, music, and dance in Aristotelian tragedy Gregory Scott; 3. The
'confessing animal' on stage: authenticity, asceticism, and the constant
'inconstancie' of Elizabethan character Peter Iver Kaufman; 4. Art,
religion, and the hermeneutics of authenticity Nicholas Davey; Part II.
Understanding, Performance, and Authenticity: 5. Understanding music
Michael Tanner; 6. Understanding music Malcolm Budd; 7. Musical performance
as analytic communication Fred Everett Maus; 8. Performance authenticity:
possible, practical, virtuous Stan Godlovitch; 9. Why is it impossible in
language to articulate the meaning of a work of music? Joseph J.
Kockelmans; Part III. Authenticity, Poetry, and Performance: 10.
Inauthenticity, insincerity, and poetry Alex Neill; 11. Poetry's oral stage
Peter Middleton; 12. True stories: Spalding Gray and the authenticities of
performance Henry M. Sayre; Index.
authenticity Salim Kemal and Ivan Gaskell; Part I. Performance, Religion,
and Authenticity: 2. The Poetics of performance: the necessity of
spectacle, music, and dance in Aristotelian tragedy Gregory Scott; 3. The
'confessing animal' on stage: authenticity, asceticism, and the constant
'inconstancie' of Elizabethan character Peter Iver Kaufman; 4. Art,
religion, and the hermeneutics of authenticity Nicholas Davey; Part II.
Understanding, Performance, and Authenticity: 5. Understanding music
Michael Tanner; 6. Understanding music Malcolm Budd; 7. Musical performance
as analytic communication Fred Everett Maus; 8. Performance authenticity:
possible, practical, virtuous Stan Godlovitch; 9. Why is it impossible in
language to articulate the meaning of a work of music? Joseph J.
Kockelmans; Part III. Authenticity, Poetry, and Performance: 10.
Inauthenticity, insincerity, and poetry Alex Neill; 11. Poetry's oral stage
Peter Middleton; 12. True stories: Spalding Gray and the authenticities of
performance Henry M. Sayre; Index.
List of contributors; Editor's acknowledgements; 1. Performance and
authenticity Salim Kemal and Ivan Gaskell; Part I. Performance, Religion,
and Authenticity: 2. The Poetics of performance: the necessity of
spectacle, music, and dance in Aristotelian tragedy Gregory Scott; 3. The
'confessing animal' on stage: authenticity, asceticism, and the constant
'inconstancie' of Elizabethan character Peter Iver Kaufman; 4. Art,
religion, and the hermeneutics of authenticity Nicholas Davey; Part II.
Understanding, Performance, and Authenticity: 5. Understanding music
Michael Tanner; 6. Understanding music Malcolm Budd; 7. Musical performance
as analytic communication Fred Everett Maus; 8. Performance authenticity:
possible, practical, virtuous Stan Godlovitch; 9. Why is it impossible in
language to articulate the meaning of a work of music? Joseph J.
Kockelmans; Part III. Authenticity, Poetry, and Performance: 10.
Inauthenticity, insincerity, and poetry Alex Neill; 11. Poetry's oral stage
Peter Middleton; 12. True stories: Spalding Gray and the authenticities of
performance Henry M. Sayre; Index.
authenticity Salim Kemal and Ivan Gaskell; Part I. Performance, Religion,
and Authenticity: 2. The Poetics of performance: the necessity of
spectacle, music, and dance in Aristotelian tragedy Gregory Scott; 3. The
'confessing animal' on stage: authenticity, asceticism, and the constant
'inconstancie' of Elizabethan character Peter Iver Kaufman; 4. Art,
religion, and the hermeneutics of authenticity Nicholas Davey; Part II.
Understanding, Performance, and Authenticity: 5. Understanding music
Michael Tanner; 6. Understanding music Malcolm Budd; 7. Musical performance
as analytic communication Fred Everett Maus; 8. Performance authenticity:
possible, practical, virtuous Stan Godlovitch; 9. Why is it impossible in
language to articulate the meaning of a work of music? Joseph J.
Kockelmans; Part III. Authenticity, Poetry, and Performance: 10.
Inauthenticity, insincerity, and poetry Alex Neill; 11. Poetry's oral stage
Peter Middleton; 12. True stories: Spalding Gray and the authenticities of
performance Henry M. Sayre; Index.