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The need to study the creative heritage of B.V. Asafiev, the famous Russian musicologist and philosopher of the early twentieth century, is due to the anthropological orientation of his intonation teaching. The philosophical interest to the theoretical heritage of B.V. Asafiev seems to be a deeply natural phenomenon. The intonation doctrine as the concept of artistic and figurative comprehension of the human life world is developed by B.V. Asafiev in the context of ideas about music as an organic element of culture. This allows us to consider intonation as a fundamental phenomenon, rooted in…mehr

Produktbeschreibung
The need to study the creative heritage of B.V. Asafiev, the famous Russian musicologist and philosopher of the early twentieth century, is due to the anthropological orientation of his intonation teaching. The philosophical interest to the theoretical heritage of B.V. Asafiev seems to be a deeply natural phenomenon. The intonation doctrine as the concept of artistic and figurative comprehension of the human life world is developed by B.V. Asafiev in the context of ideas about music as an organic element of culture. This allows us to consider intonation as a fundamental phenomenon, rooted in human existence. It has ontological and anthropological status, as it is associated with the ability of man to sound symbolization of phenomena, can express the spiritual state of the personality, its attitude to reality and the meaning of cultural phenomena.
Autorenporträt
Finsler Olga ist promovierte Philosophin und außerordentliche Professorin an der Philosophischen Fakultät der Staatlichen Puschkin-Universität Brest. Ihr Hauptinteresse gilt der Kunstphilosophie: philosophische Aspekte der Musik, Fotografie und Malerei.